Time to take Little Miss to the cinema and this retelling of a Disney-fied classic seemed ideal.
“Lips red as blood. Hair black as night. Bring me your heart my dear, dear Snow White.”
Plot-in-a-nutshell: Evil stepmother takes over a kingdom while the king’s true offspring tries to win it back
See it if you like: dark fantasy flicks which focus as much on story as spectacle
Gillian had been wanting to see this since she eyed the poster in the cinema. Little Miss had, I think, seen a trailer on the telly. I was pretty much just along for the ride. Funnily enough it was the second film in two days we’d seen with Charlize Theron in it (after yesterday’s Prometheus) – and it very almost has Michael Fassbender as he was considered for the role of the Huntsman.
Now this is a story that all of you will have heard before, and which virtually everyone will have enjoyed in its cartoon form. There are certainly parallels to this version (Snow White’s costume early in the film and her relationship with wildlife, for instance), but the tale twists and turns in different ways. The scriptwriters had a very different vision and some excellent ideas for bringing the tale to life. A shining example is the evil stepmother’s magic mirror which melts and appears in humanoid form that only she can see.
The effects, in fact, steal the show. They’re imaginative and seamless. From the creatures in the magical forest sequence to the dwarves (of which there are actually eight…). Rather than taking the easy route of hiring eight people of diminutive stature, the director has opted for some very well known names and some fantastic jiggery-pokery to make them appear veryÂ realisticallyÂ miniaturised. I was sat there for a good few minutes trying to convince myself that it was actually Bob Hoskins up there. And Nick Frost. And Ray Winstone. And Ian McShane.
Visually, then, it’s great. The story is well enough known in one for to be easy to follow, and all the better for the fact that it’s a new (to me at least) version. If there’s one thing that lets it down it’s the pacing. I found things to be a little drawn out at times. While the action sequences, and there are a lot of them, were bursting with excitement, the dramatic scenes were a little slow and made the film really feel like all of its 127 minutes. Having said that, Little Miss enjoyed the whole thing and it must have been good for an 11 year old to sit right through without complaint.
Certainly the cast give it their all with Kristen Stewart being perfect as the titular character and Chris Hemsworth convincing as the man sent, at first, to hunt her down. Feminists will appreciate that Snow White is no shrinking violet saved by a handsome prince in this version, instead being more of a Joan of Arc character gaining strength as the tale progresses.
I tend to find myself agreeing with the current average score on IMDB – around 7/10. With a little better pacing, it could have jumped up to an 8, but it’s still pretty good and shouldn’t disappoint. The 12A rating is spot on, too. The violence isn’t grisly, it’s very much a fantasy piece, and there’s no real nudity (a bare back is about as much as you see).
- Movie Review: ‘Snow White and the Huntsman’ With Kristen Stewart (movies.nytimes.com)
- ‘Snow White and the Huntsman’ Review (screenrant.com)
- Review: Snow White and the Huntsman (comicbooked.com)
- First Look: Snow White and The Huntsman (lifewithbrandon.com)
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