Alter Bridge / Bowling For Soup

Alter Bridge - Glasgow 5
Alter Bridge – Glasgow

I’m a little short on time so I’m just going to cram these two reviews into the same blog post.

Alter Bridge – Glasgow O2 Academy, 16th Oct 2010

I just caught the tail end of Slaves To Gravity when I arrived and they had the crowd going, and seemed OK. The venue was pretty much packed, no surprise with it being a sell-out, but there was still a lot of room to walk around and find a good position.

The headliners hit the stage around 9:30 for a 90 minute set. They’re not a glamorous, special effects-heavy band instead relying on belting out some good songs to keep the crowd happy. The set list was quite heavy on new material from the album ABIII which had only been out for about a week at the time of the gig. Lunacy on the part of the record company, but – as Myles Kennedy stated towards the end – the crowd reacted well and enjoyed it nonetheless.

Of course, the most pleasing reaction was for the better known material and there was plenty of it. If I had to pick three highlights, they’d be Blackbird“, “Ties That Bind” and the acoustic version of “Watch Over You“. The latter raised the hairs on the back of my neck, just like the first time I heard Linkin Park‘s Chester Bennington singing “Pushing Me Away” accompanied only by keyboards.

However, it did raise one issue I’ve had with the O2 cademy before – the acoustic track was the only one where I could easily make out the vocals. Machine Head suffered the same issue a few months ago.

It’s not that the sound’s too loud – the bass, drums and guitar solos were all clear. For some reason, though, the vocals had been set at a level around the same as the music and so became buried. A hell of a shame as Kennedy’s got a great voice and part of the appeal of Alter Bridge are the excellent lyrics.

Not the band’s fault, I suppose, and it only took the gloss off an excellent performance. The new album is easily on a par with the first two, as well.

Bowling For Soup – Glasgow O2 Academy, 17th Oct 2010

Bowling For Soup - Glasgow 3
Bowling For Soup – Glasgow

Next night, same venue, different band! I was too late to see the Dollyrots, and only caught the end of Forever The Sickest Kids‘ set, which is a shame as they seemed to have got the crowd jumping. “A” followed and had about 25 fans. They’re not bad… but that’s about it.

On a night when Guns ‘n’ Roses were keeping fans waiting 85 minutes longer than they should before coming on stage in Birmingham, Bowling For Soup bounded on a little after 21:30 and launched into a great set.

Silly backdrops, music videos, jokes, banter with the crowd, improvisation… never a dull moment. Hell, they even took a photo-op break mid-song at one point. Standing and posing at each end and the centre of the stage before continuing where they left off.

Mexican waves were done. A death/thrash metal band called Haggis Farts were formed on stage, a song written, and the band broken up… all within five crazy minutes. The crowd were encourage to chant that the bassist, Eric, liked penis… and then chastised and told to chant that they were sorry. Which they did.

Bowling For Soup are all about having fun and not taking life too seriously. I don’t think I’ve seen a crowd grin throughout a show the way the mob did tonight. OK, except for the last time I saw Lawnmower Deth – and that’s a hell of a long time ago.

The other point of note is that the sound was a hell of a lot better than for Alter Bridge. I could make out Jaret’s vocals far more clearly than Myles’ the night before. Still, it could have been better. Maybe it’s the sound system there.

BFS were great fun and picked a nice selection of tracks for the set, including a novel cover of the utterly awful “That’s Not My Name”. I would definitely recommend them to anyone with a sense of humour and can’t wait for them to come round again.

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Vampires Rock

VAMPIRES ROCK
Vampires Rock

Thanks to the wonderful Nicola, I became the lucky owner of two tickets to see Vampires Rock when she couldn’t make it to the performance. I’d heard mention of the show, but wasn’t sure what to expect. Wendi was the first to shove her hand up to grab the extra ticket and we headed to the Edinburgh Playhouse last night to see it.

First up, £4.50 for a drink in the bar. Ow. Wish I’d spotted the Wetherspoons next door earlier! Secondly, if you’re getting tickets for the Playhouse and can do so, get them direct in person from the box office. I picked up three for Spamalot and they worked out at £3.50 per ticket less than using Ticket Master, plus they accepted my student ID, plus they were offering a wider range of seats than I seemed to be able to choose from on the website.

Anyway, the show. It’s a simple affair, much more of a musical show with little bits of performance than the other way around. The stage set is a simple, stationary one and the volume’s cranked way up.

The major downside to this is that the vocals and spoken voices are often very hard to make out. This is a hell of a shame, but at least the music’s spot on.

Ah, the music. Rock legends a-plenty are paid tribute to – Queen, AC/DC, Guns n Roses, Bon Jovi, Meatloaf, Bonnie Tyler… Erm, yes. Hey, who can complain at a bit of Total Eclipse of the Heart? Especially when the woman singing it is ridiculously hot?

Most of the band and some of the supporting cast get a go at leading the singing including an awesome rendition of Journey’s Don’t Stop Believin’. Yes, Journey. For those under 25 years old, this isn’t an original song by the cast of flipping Glee. In fairness, I’m from a generation that thought Ballroom Blitz was by Nuclear Assault instead of Sweet. It could be worse. I could have been convinced Tia Carrere wrote it.

The band and cast are great, although lead Steve Steinman’s accent seems to have got lost somewhere between Transylvania and Blackpool. The girls are gorgeous, and the men… well, let’s just say if I had any less testosterone in my body I’d be at risk of fancying the guitarists and bassist. I swear Wendi was calculating exactly how risky jumping from the balcony would be to get her hands on them.

Vampires Rock is, much as it claims it’s not right at the start, a pantomime of sorts. It craves audience reaction and it gets it. It’s silly, has stereotypical characters, the jokes are cheesier than the scruffy character’s bell end and you’ll enjoy it despite feeling a little guilty about it afterwards.

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Amateur Transplants in Theatre

Adam Kay & Suman Biswas
Adam Kay & Suman Biswas

After years of listening to their dodgy songs and buying their albums online, I got to see Amateur Transplants live as part of the Edinburgh Fringe. My first Fringe show as well, in fact.

For those who don’t know, Amateur Transplants is made up of two medics – Adam Kay and Suman Biswas. They sing very rude songs full of swearing and bodily functions, many based on popular hits. Often they’re not complete songs – just enough to tell a joke with a punchline. As a result in the 60 minute show they probably played in excess of 40 songs.

I was surprised to see that many people at the show obviously hadn’t heard many of the songs before. For them it must have been a great treat – very much like watching a stand-up with a good routine for the first time. Having said that there were a good few new songs in the mix, including some ad-libbing from Adam that threw Suman for six.

They involve the audience a bit as well, with Adam strolling through them during a couple of songs. Made a little less easy due to the venue basically being a “lounge where you want” one with few seats and more beanbags!

I can say that, especially given the low ticket price, I was definitely not disappointed by the show. Very funny, more laughs per minute than I’ve seen at many “regular” comedy shows. Plus Adam and Suman wander around afterwards to sign CDs and the like. Don’t forget that Macmillan Cancer Support gets a share of all their profits.

I’ll leave you with the following YouTube video of their original “hit”, London Underground. WARNING – it contains lot of swearies!

httpv://www.youtube.com/watch?v=FYVJSOFZxDE

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Best Music Video… Ever

I’ve seen some amazing videos in the past. Imaginative, edgy, ahead of their time. But this one really takes the biscuit.

It’s a one-off display of a custom video for AC/DC’s Shoot To Kill which is part of the Iron Man 2 soundtrack. What makes the video special is where it was shown – on the wall of Rochester Castle. The video was designed to make use of the stonework and shape of the castle and is simply a magnificent piece of creative work.

Make sure you watch right to the end!

httpv://www.youtube.com/watch?v=0zYGxb5kFjI

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