RED 2 / 2 Guns

120px-Film-stripOne sequel, one film with a “2” in the name that isn’t, and a very sore tummy from eating a landfill-engulfing quantity of jalapeños for dinner.

RED 2

“What happens in the Kremlin stays in the Kremlin!”

Plot-in-a-nutshell: the good guys from the first film are targeted by the nastiest hired killers on the planet because they apparently have some information that they don’t

See it if you like: spy thrillers with a nice edge of humour

You may recall such recent reviews as Kick-Ass 2 and Despicable Me 2. Well, RED 2 can join the list of sequels which don’t try to be the first film all over again, and which are better for it.

Whereas the original RED had some exceptionally comic book-esque scenes (the sequence in the shipping yard being the prime example), these are generally lacking in this sequel which goes more for chop-socky fast-paced combat and over-the-top scenes with guns instead. The good thing is that it doesn’t suffer as a result.

All of the central original cast are there, and this time joined by some other big names. Anthony Hopkins turns up at one point, but I can’t go into detail as it may be spoiler-some. Suffice to say he’s brilliant and shows an impressive range with a very entertaining character.

Also appearing is one of my favourite unsung actors, Neal McDonough. Since seeing him in Boomtown (a superb series which should never have been cancelled), I’d always looked forward to seeing him in things and he is spot on in this. He plays a very determined, no holds barred, whatever it takes to get what he wants operative.

Add to this Catherine Zeta-Jones who has more slap on than three women working at the Boots make-up counter, David Thewlis as a hard-to-catch seller of secrets and Byung-hun Lee as the world’s most dangerous contract killer and you have a very good cast indeed.

The story is also good, and the dialogue fizzes. In particular, and as in the first film, Willis and Malkovich play incredibly well off each other.

There’s everything a decent spy story needs. Guns, women, explosions, tension, backstabbing, cars, guns, more explosions, poison gas, things blowing up… All with a decent number of laughs thrown in.

Yup, this one’s good.

2 Guns

“Are we people?”

Plot-in-a-nutshell: Uncovered undercover DEA agent his patsy find themselves hunted for stealing the wrong person’s money

See it if you like: gun-thirsty action thrillers which still make you think

Second up was this nice twist on the buddy story starring Denzel Washington and Mark Wahlberg. Without giving too much away (no more than the trailer does, anyway), the two are drug-running and robbing places left, right and centre… but unknown to Stigman (Wahlberg), Washington’s character Bobby is an undercover DEA agent.

Thing is, despite this little fact coming to life at an inopportune time, the two end up thrown together in a bid to keep themselves alive and get revenge on various parties who’ve wronged them.

It’s pretty violent, but like RED 2, has some very humorous moments. The dialogue and chemistry between the two leads is great to watch with some fast-paced verbal jousting that’s either the result of a lot of rehearsal or a natural link. Either way, it makes many scenes very entertaining indeed.

Importantly, the story is good as well although it’s a little bit easy to guess who the overall bad guy is. This doesn’t steal any of the story’s thunder, though, and it rides well until a suitably chaotic and blood-soaked finalé.

 

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Unstoppable London Boulevard

Two more films to make up for last week’s drought, courtesy of some kids’ film taking up all the new screens.

Unstoppable

“In training they just give you an F. Out here you get killed.”

Plot-in-a-nutshell: Runaway train!

“Based on real events” apparently, but who cares. Unstoppable is ninety minutes of being sat on the edge of your seat despite knowing perfectly well how it’s going to end. Denzel Washington and Chris Pine play two train drivers (yes, I know there are technical terms – I don’t care) who get caught up in a potential disaster. A huge train laden with dangerous chemicals is belting along the tracks towards a township, and *dramatic drum roll* only they can stop it.

The film has all the stereotypes. There’s a guy with marital problems. Another pushing retirement. A tough female who’s belittled by the powers that be. A **** of a company director.

Tony Scott‘s done a great job with what’s a very simple story. We don’t spend too much time messing around with character development when all we’re really interested in is the BIG SODDING TRAIN. There’s actually very little destruction in the film (it’s Scott, not Michael Bay after all), so it’s more in the thriller camp than an action film.

If you’ve had a tough week at work, then this is an ideal movie to go and see. Switch your brain into neutral and shovel the popcorn into your gob while Unstoppable washes over you.

London Boulevard

“Fahk awf. Cahnt.”

Plot-in-a-nutshell: Don’t make me angry. You’d not like me when I’m angry. I turn into a gangster.

A hell of a cast, this one, led by Colin Farrell as a released convict who’s expected by his peers to get back “on the game”. However, he really doesn’t want to. The local kingpin, however, has other ideas and it rather insistent.

Farrell manages to almost drop his Irish accent for this one, whereas Keira Knightley hams up her posh one playing a strung-out ex-actress. Who really needs to eat more. And wear a padded bra. Just saying, sorry. Ray Winstone is cast as the big, bad gangland lord which means he gets to swear a lot and be violent. So no typecasting so far.

My choice for best performance of the film goes to David Thewlis, who plays a wonderfully scatty friend to Knightley’s recluse. His character ranges from stoner to thug without ever seeming as if he’s acting unnaturally. Genuinely wonderful to watch.

London Boulevard flips from violence to humour to emotional and touching from scene to scene, often meaning that it seems a little jumpy. However, the story is good enough that it really doesn’t matter.

At risk of giving a spoiler (do stop reading if it worries you, just in case), the film’s similarity to Layer Cake is emphasised by the ending which is just too samey.

I enjoyed it, though. A very good story (even if it’s unoriginal), great performances and some genuine laugh out loud moments.

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