X Men Origins: Wolverine

Wolverine
X-Men Origins: Wolverine

The fourth of the recent X-Men films, Wolverine takes a step back in time to fill in some gaps from X2. There are no great surprises for anyone who’s read the comics and there’s really not a lot of plot. More a sequence of set pieces and shots of Hugh Jackman looking to the heavens and roaring. Or squealing in his earlier incarnations.

Some characters such as Stryker, who appeared in earlier films (though set later in Logan’s life) are played by different actors but on the whole, the cast is OK. The special effects are pretty good in most places, which important as there’s very little else in the film to get excited about. Except maybe Mr Jackman in the buff (yes, Leah, I’m looking at you).

Plot-in-a-nutshell: young boy growing up discovers that he and his brother both have mutant powers. They run away, grow up and one goes bad. He hunts for the good one so the army can “help” him and they meet other mutants on the way.

No spoilers, but anyone who’s remotely familiar with the comics will know the story anyway. My main quibble is fanboy related. We all know Wolverine gets his invulnerability from Adamantium being bonded to his skeleton. We see the procedure in the film (and briefly in X2). Needles go in, squirty-squirty, out comes the superhero.

So if all they’ve done is plate his skeleton, how come his bony claws turn into sharp knives? Shouldn’t they just be shiny bony claws?

But I digress. The film’s entertaining enough for its running time, but it’s a little like X3 – all eye candy and little plot. The final battle scene has some rather nice destructions in it along the scale of the Golden Gate Bridge being ripped up but after all’s said and done there’s a lot more story in the X-Men canon that could have been used.

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Quick book reviews

Cover of "Mayday"
Mayday

More so I have a record of having read them, a few words on the last couple of books I finished.

First up, Praying for Sleep by Jeffrey Deaver. This is a definite improvement on the other standalone Deaver novel I read recently, The Lesson of Her Death. It’s still a little ploddy and seems to spend an age telling you too much about character background, but the story’s better and the ending is a great twist.

Secondly is a book I’ve had kicking about on my shelves for years, but never read. I picked up a copy in Australia and finally got around to reading it. Mayday by Nelson DeMille and Thomas Block was re-released, slightly updated, in the 1990’s and this is the version I read. It’s a story of an air disaster but focuses more on the actions of those on the surface than those in the air.

It’s typical DeMille – fast-paced and interesting – with a good dollop of realistic tech courtesy of co-author (and old schoolmate) Block. Yeah, it’s silly when it comes down to it – but it’s a disaster movie in paper form so it’s bound to be. Entertaining enough to be worth picking up, but far from the intellectual enjoyment of The General’s Daughter or Word of Honor (sic, which was fantastic).

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17 Again

17 Again (film)
17 Again

Harking back to older films such as Big and Vice Versa, and more recently Freaky Friday, 17 Again is another “body swap” movie where one person magically becomes someone they’re not for bizarre magical reasons.

Plot-in-a-nutshell: Friends’ Matthew Perry plays a middle-aged guy (Mike O’Donnell) going through a divorce with his school sweetheart. After a bizarre meeting with a mystical janitor, he falls off a bridge and awakes as his 17 year-old self – played by Zac Efron who’s apparently popular with the teen brigade. I saw the film with my little cousin (who’s 7½) and he’s the reason she wanted to see it.

It’s rated 12A in the UK, and there’s a fair bit of sexual talk – thankfully all this went right over the little cuz’s head. The plot’s nothing special, you just know what’s going to happen but there are still a few laughs along the way. Some moments are well played, such as the young Mike O’Donnell trying his best not to snog his own daughter despite her launching herself at him.

Overall, I enjoyed it way more than I expected but still not a huge amount. Although I do want Mike’s friend’s bed. Anyone who sleeps in a floating full-size Star Wars vehicle is a true geek.

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The Operative by Duncan Falconer

Cover of "The Operative"
The Operative

Another novel I picked up at random, The Operative is the first book I’ve read by Duncan Falconer and I doubt it’ll be the last. As an ex-SBS operative, he’s going to get the inevitable comparisons to Andy McNab but in my opinion he’s better.

It’s a fairly standard army-based thriller with a loner combatant ending up using his skills (explosives, in this case) outside of the war zone to help resolve a personal conflict. The level of technical detail is just about right – not too much to sound like the author’s showing off, not too little to make it sound like he read it somewhere and is shoe-horning it in.

I’d put it at around the level of Jerry Bruckheimer for believability – and also enjoyability. There’s plenty of destruction, the bad guys (of course) get their’s and the FBI and CIA end up at each other’s throats.

Granted, it’s all silly – but the important thing is that it’s entertainingly silly and easy to read. I know Falconer has a couple of other books out and I’ll be checking for them in the second hand places once I’ve ditched a few from the pile I’m already carrying.

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The Firm by John Grisham

Film poster for The Firm (1993 film) - Copyrig...
The Firm

Possibly the most famous of Grisham’s books and about the last one I have to read, The Firm was also a big film in the 90’s. I went to the cinema to see it, but don’t remember that much as I was too busy sucking face with my first girlfriend at the time.

The novel is typically Grisham. All legal then turning into a fast-paced thriller. A young lawyer gets a deal he can’t resist to join a small legal firm which turns out to have a few skeletons in the closet. Going through the novel I couldn’t help picturing Tom Cruise as the central character – I think he was a good choice for the film.

It’s hard to say any more without giving up the plot. It’s well-written, well-structured and well-paced. The dialogue is good and if you’ve read any other Grisham novels then you’ll know what to expect. I just wish he’d stick to the legal thrillers and dispense with books like A Painted House.

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