Making it even harder to find teachers

Carry On Teacher
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Or more specifically, making it harder to find teaching jobs.

I’m coming to the end of my probationary year through in Edinburgh and intend to move through to Glasgow in the summer to be with Gillian and the kids. Therefore I’ve been looking for a job in the area. Don’t get me wrong, I’m not naive, I know teaching jobs aren’t that easy to find at the moment. However, it seems that Glasgow Council are making it more difficult – and their methods seem purposeless.

Only one job for a Computing teacher has come up in Glasgow and I didn’t get an interview. Given the number of candidates (and I’m sure many were far more experienced than me) this isn’t a huge surprise and I’m not that downhearted about it.

What’s really getting my goat is that I inquired about being put onto the supply list for occasional work up until I can find a permanent position. “Sorry,” I was told, “Glasgow are only putting their own probationers onto their supply list”.

So, basically, to get a job in Glasgow you have to be working in Glasgow already. Let’s not take into account the fact that some of those probationers might be moving elsewhere and that some who studied in Glasgow (like me) took advantage of the “go anywhere” scheme promoted by the GTCS to fill vacancies elsewhere on the understanding we could head “home” afterwards.

The plot thickens, though, when I heard that only the best graded probationers in Glasgow would go onto their supply list. Now I’ve only heard this from one person, but it is a probationer who is within the system so I’ve no reason to doubt what they’re saying. I wasn’t aware that probationers were graded beyond “suitable”, “suitable with some extra time required” and “for the love of all that’s holy, don’t let them in a classroom again”.

So it seems that Glasgow have decided – somehow – to grade all their probationers. This applies to Primary, secondary and all subject specialities therein. It’s unrelated to any other council so there’s nothing for them to regulate against. Hence their “grading” must be completely arbitrary. Given that it’s the first time they’ve done it, it’s also unproven.

Right, so they grade all their teachers. They only allow the “top” ones onto the supply list. This assumes the aforementioned top ones don’t get permanent employment in Glasgow or elsewhere. Or that they’re not moving out of the area, perhaps as they themselves were on the “go anywhere” scheme.

Throwing in some random figures, let’s say there are 100 teachers. The top 20 get permanent posts, so you’re left with 80 who are OK ro good (or crap). 15 of these go elsewhere or drop out of teaching. Glasgow needs 100 new entries on the supply register so where does it get the space-fillers? The first 35 to apply from elsewhere, or from further down their graded list. Not the best, the first. Which means they’re not necessarily going to fill the register with anyone decent.

In addition, when a school seeks a supply teacher the local authority don’t say “here – you’re having this person”. They send out a list of potentials. The department head will then put out the feelers and seek references, official or otherwise. What “grade” they got is irrelevant.

In fact, I would expect that grading teachers would cause them to be more likely to end up skipping the supply list because – assuming a probationer is told how they’re doing grade-wise – it could be used as a “selling point” in interviews.

From what I’ve been able to find out, it’s only Glasgow that are doing this. None of the surrounding councils are bothering. Why? I have no idea. But I simply cannot figure out any actual reason for doing so that doesn’t revolve around generating paperwork and giving some council monkeys a job.

If the GTCS – the governing body for teachers in Scotland – doesn’t see fit to grade new teachers, why on earth do Glasgow Council think that they have the needs, or indeed the skills, to do so themselves?

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Hanna

By إبن البيطار CC-BY-SA-3.0-2.5-2.0-1.0

Due to times not matching up well (i.e. overlaps or 90-min waits between films) we only caught the one this week:

Hanna

“I just missed your heart.”

See it if you like: awful background “music”, arthouse films that aren’t really arthouse and rehashed plots

Plot-in-a-nutshell: A young girl is raised as a survivalist assassin in a cabin in the woods for some reason.

This is a weird film. It’s been claimed in the press that it’s the new Leon, but frankly it’s not fit to be named in the same sentence. Leon was a classic. Hanna, while sharing a very basic premise, is just another film with some good moments.

Our title character is played by Saoirse Ronan, and she is being raised in a cabin somewhere within the Arctic Circle by her father, Erik (Eric Bana). They are hiding from the CIA, specifically someone called Marissa (Cate Blanchett). One day Hanna decides she’s ready to be found and the two announce their position and then flee to Germany. I have yet to figure out exactly why.

The film does have some excellent moments, mostly relating to Hanna’s naivety as regards the big wide world and her interaction with some incidental characters – mainly a British family she encounters and a Spanish youth who tries to kiss her. These little sequences are funny and well played, balancing against the violent nature of Hanna herself.

Hanna’s secrets are slowly revealed as the film goes on, but in honesty there’s not much of a twist. Blanchett plays a very evil “bad guy” but I just couldn’t take her seriously. Bana is pretty good and all credit to Ronan for her portrayal of the confused little girl.

The worst part of the film, though, is the “music” supplied by the Chemical Brothers. They seem to be churning stuff out for every other film at the moment. Most times they’re tolerable, but in this case it’s simply dreadful. The “atmospheric” stuff sounds like someone’s fed John Carpenter speed and thrown him in a roomful of keyboards, whereas the more supposedly musical efforts are somewhat more akin to listening to a diarrhoetic elephant shitting through a tuba.

Hanna promises a lot, especially from the trailer, and it fails to deliver most of it. A slow, drawn-out film with a handful of highlight moments.

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Laptop Alchemy

[links for all programs at the end of this post]

There’s a really popular game for Android called Alchemy which Gillian’s eldest took quite a shine to on my phone. It’s a really simple game, involving dropping icons of the basic four elements onto each other to create newer items. These can then be used as blocks to make more complex ones and so on.

For example, mixing fire and water gives you alcohol, earth and air gives dust, dust and water gives mud… and so on. This version currently has 370 items to develop and discover. There is a “competing” program going by the name of Alchemy Classic which is the same but different. The programmers of this have also developed a PC version, but it’s a pain in the backside to install. There is also a new version from another developer called Alchemy ~ Genetics which does much the same thing with genetic traits of various creatures (wonderful gift to send to your Creationist friends – assuming Creationists have friends).

And, finally, there’s an excellent version for the PC (sorry Mac users). It’s programmed by Marius Bancila and the most recent version (2.0) can be downloaded from his blog (link below). It’s a small install and this new release has been re-jigged so that it works better on netbook screens. The old one kept expanding so that controls dropped off the bottom.

I’m giving this a plug partly as it’s such a good game and also because Marius has proven to be an excellent supporter of his own product. He happily listens to feedback both for bug fixes and new combinations of items. His Alchemy currently sports 444 different creations!

POINT TO NOTE – the game downloads as a single file within a ZIP archive. Just drag the file out of the archive and pop it somewhere to run it. For those who like things near and tidy, you can’t put the game into your Program Files folder where you’d normally store executables. For some reason it won’t then have permission to create and update the separate progress file so you’ll lose all your work each time to leave the game. Store it pretty much anywhere else! This may only be an issue under Windows 7/Vista, though.

A quick list of links for all four versions listed in this post:

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Rough Justice by Stephen Leather

Rough Justice (Dan Shepherd, #7)Rough Justice by Stephen Leather
My rating: 5 of 5 stars

Once upon a time I was lucky enough to receive a quick email from Stephen Leather when I popped a review of Long Shot on my blog. It was from a cybercafe in Thailand or somewhere so I couldn’t reply him. Shame.

Leather has consistently written good thrillers including The Chinaman, one of his first and still one of my favourites of all time. This is the 7th Spider Shepherd novel and I *think* I’ve read them all to date. I’m not sure, which is one of the reasons I joined GoodReads! I need to keep track…

Rough Justice is very much a crime thriller of modern times. Spider is drafted in to try and discover which corrupt policemen in a special unit attached to the Met happen to be taking the law into their own hands – castrating rapists, shooting gangbangers, hanging paedophiles and the like.

As Spider infiltrates the group, he also has personal issues at home with his son threatened and his old army Major looking for his own form of revenge when his nephew is murdered.

As such, the book throws up the same question from three viewpoints – when it justice just? And how far should you go? Is it OK when it’s your family to step over the line? Or a close friend? Or when it’s society that’s taking the brunt of a poor justice system?

This is definitely the best Shepherd novel and one of Leather’s best overall. Highly recommended for pace and delivery. I particularly like the way that little nuggets of well-researched trivia are dropped into the text and dialogue in a way that won’t patronise the reader.

Great stuff. I have at least one more Leather in my “to-read” pile and I’m looking forward to it.

View all my reviews

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Thor

Just the one film and an early weekend one at that. It’s been previewing since Monday and we opted for the cornea-friendly 2D version of…

Thor

“Did it work?”

See it if you like: superhero films with more pathos and romance than humour and action. Think Hulk rather than Iron Man.

Plot-in-a-nutshell: Origin story of a Norse god who becomes a mortal on earth in the modern day, and set-up for a team-up movie due next year.

I’ll generally go to see any superhero film that comes out and the majority these days seem to come from Marvel Comics. DC seem to have stuck with churning out more Batman ones, and failing to release new Superman episodes. Marvel, on the other hand, seems content to churn out as many films as it can based on every major character it holds, regardless of quality. Sometimes hit, sometimes miss.

Thor, for me, fell into the latter category. Despite a reasonable cast, it just seemed like a big, gaudy mess. Chris Hemsworth is excellent in the role of Thor himself (but since when did he have a beard? The guy from the comics I remember was clean-shaven) and Anthony Hopkins is fine as Odin. Brian Blessed was apparently considered and I’m glad they didn’t go with him otherwise the whole thing would have looked even more like Flash Gordon.

Natalie Portman seems to be popping up in a lot recently and performs passably as some scientist whose name I can’t be bothered to look up who goes all doey-eyed at Mr Muscles.

The biggest surprise was seeing Shakespearian legend Kenneth Branagh attached as director. Given the kind of story the films tells, it’s perhaps not a bad choice. It is operatic and dramatic, so it does suit him. However, I just found the whole thing completely overblown in its use of effects.

The halls of Asgard look like an overgrown church organ and the Rainbow Bridge seems to have been made by gluing together several million “Ziggy” handsets from early episodes of Quantum Leap.

If there’s a highlight it’s the Destroyer – a genuinely scary and fearsome-looking opponent with a rather spine-chilling sound every time it’s about to shoot fire. Having said that, the battle sequence it features in is just kind of “OK”. Having said that, its appearance on earth leads to possibly the best line in the film.

In response to the quote heading this review, uttered by the wonderful Stan Lee in his expected cameo, I have to say “Sorry, fella. No. It didn’t.”

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