Cars 2

By إبن البيطار (Own work) [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (www.creativecommons.org/licenses/by-sa/3.0)], via Wikimedia CommonsOnce again I’m glad to say that I avoided the dreaded enforced 3D by going to see a kids’ film. It may have enhanced about 30 seconds of the film, but hardly worth the discomfort of watching the remainder through those stupid bloody sunglasses.

Cars 2

Tow Mater, average intelligence.”

Plot-in-a-nutshell: Mader gets mixed up in the spy world as Lightning McQueen undertakes a World Grand Prix.

See if it you like: PIXAR films – it’s a classic example

As usual, we missed the start of the film. This seems to be an annoyingly regular feature of going with the kids, but it’s never their fault. This time it was flipping roadworks with no diversion signs. Thanks, Glasgow Council. Thanks a lot.

Anyway, we only missed a couple of minutes and the beginning of the film takes us right into the spy aspect of the movie. It was brilliant – deserving of an Bond movie and introducing Finn McMissile (Michael Caine), a character originally planned to be just a passing joke in the first film. Instead they held back on the scene he was meant to be in and made him a major character in this one.

We’re swiftly reintroduced to the two leads from last time around, a plot is formed around them touring the world and off we go.

The scenery and imagination used to come up with it is nothing short of amazing. The lifts in the party room before the first race are huge pistons, the Italian Riviera has car-based shapes carved into the hillsides, even the models of cars used for the incidental characters have been carefully planned out to be just right. And that’s even before you spot all the little in-jokes in the background, such as the banners advertising “Lassetyres” (the film’s director is John Lasseter).

I can’t fault the voice acting, either, but with the cast used that’s not a surprise. I mean Michael flipping Caine? Awesome. Owen Wilson and Larry The Cable Guy (seriously – who the hell would work under that pseudonym?) reprise their roles well from the original while Caine is joined by the likes of Emily Mortimer (a sexier voice you will never hear from an automobile), Eddie Izzard and John Turturro.

There is a downside, though. The film has a great story. And a good plot. But to move this forward, there’s a fair bit of dialogue and this means quite a number of fairly static scenes. As an upshot, younger kids might get a little bored as they just want to see the fast-paced action scenes and vehicles hurting themselves. Certainly, Little Mister did. He spent a good while moving up and down the rows. He wasn’t alone, either, with a couple of children near us literally running around the theatre at points. The adults in the audience, however, seemed engrossed.

Take a look at Canadian Towing Ottawa: $80 Deal for Tow Truck in Ottawa.

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Harry Potter and the Deathly Hallows: Part 2 (IMAX)

OK, that’s a long film title. Because Little Miss hadn’t seen any of the Harry Potter films at the cinema before, we decided to make this one a little special and took her to the IMAX to see it. Advice for future – check the performance times and get there early enough so we’re not sat off to the right of the front row…

Harry Potter and the Deathly Hallows: Part 2

Hogwarts is threatened! Man the boundaries. Protect us!”

By إبن البيطار (Own work) [GFDL (www.gnu.org/copyleft/fdl.html) or CC-BY-SA-3.0-2.5-2.0-1.0 (www.creativecommons.org/licenses/by-sa/3.0)], via Wikimedia CommonsPlot-in-a-nutshell: Go read the book, you lazy arse

See it if you like: finding out what happens at the end of stories you’ve been following for 11 years and are too lazy to read a damn book.

The single biggest opening in US cinema history (possibly worldwide, too), so I’d expect you all to know about this film. But is it any good? Short answer: yes. Certainly it’s far better than Part 1 which was all character development and not a lot of incidence. How you can scene-set for 2 hours and expect kids to sit through it is beyond me.

Part 2 has a load of great action sequences in it, and – no surprise – faultless effects. The IMAX 3D is, of course, far superior to the crap you get in the mainstream cinemas and it’s used to full effect here. As I mentioned in the introduction, though, do make sure your’e sat somewhere good to make the most of it. The picture was rather strained and warped where we were.

The story definitely moves along faster than the previous movie and it’s over fairly quickly, or so it seems. As per the books, pretty much everything is nicely tied together although as you would expect there are some details missing in the adaptation.

It’s also not surprising to see that the acting has improved as the years have gone on. In the early films I could have punched Emma Watson for being so flipping gushy and annoying. Now, she’s a very accomplished actress as are the rest of the now-mature cast. Top marks go to Helena Bonham Carter for her portrayal of herself being portrayed by Hermione, though. Very well done.

Is it worth spending the extra to see this film on IMAX, though? Given the price difference between this screening and the equivalent 3D showing at a regular cinema then definitely. If you’re remotely bothered about 3D then cough up the pennies. It’s far, far, far superior. If you’re only bothered about the story then do the usual and catch it in 2D. At least there’s still an option to do so, thankfully.

There’s no point in recommending the film though. If you’ve seen the other seven then you’ll see this. You have to. If you’ve not seen them then don’t watch it. It makes no sense at all otherwise!

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Iron Maiden / Airbourne, Glasgow SECC

Iron Maiden - Final Frontier
Image by Iain Purdie via Flickr

If there’s one thing you have to be careful of in the music world, it’s not having a support band that put on a better show than you. I’ve seen it happen – Pantera opening for Megadeth, Machine Head opening for SlayerAirbourne came very close to doing it with Iron Maiden this evening.

Not to say that Maiden’s set wasn’t spectacular (I’ll get to it in a moment), but Airbourne – quite simply – rocked. Immensely.

According to the ticket, they were due on stage at 19:30. By my watch, they kicked off a minute or two early while Gillian was having a chat with her mates outside and I was making impatient “will you hurry the **** up?!” gestures. What can I say? I like Airbourne. The lads had 45 minutes to warm the crowd up for the might Maiden, and they didn’t waste a second of it.

Track after track was played, applauded and then followed up with another. Given they only have two albums, a 45 minute set isn’t too hard for them to fill especially when there isn’t a single bad track on either LP. With the limited stage set and time, there weren’t any insane activities from lead singer/guitarist Joel, which was a shame, but didn’t really detract from a frenzied, active, loud, brash set.

Well done to them and I can’t wait to see them again.

And on to Maiden who had around two hours to fill once they took to the stage a little before 9pm. They opened with tour and album titler “The Final Frontier” (8:42) and plodded on into “El Dorado” (a shade under 7 minutes). “2 Minutes To Midnight” was a welcome relief and the crowd visibly and audibly erupted when the backdrop revealed the upcoming song. I could almost be unkind and say that people finally woke up… OK, I will. Up until this third song, I couldn’t see a single person around me bouncing, shouting, punching the air or singing. In fact, even applause after the first two songs was rather scant.

So, great, they’re onto the old stuff at last. Phew. Bruce even went as far as to say that the band had 14 other albums to take music from other than the new one. Good.

Then they launched into nine bloody minutes worth of “The Talisman” from The Final Frontier. Bloody hell. The crowd, again, died. A few people near me wandered off when the next track – “Coming Home” (thankfully comparatively short at under 6 minutes) kicked off. Whether they went home or to the bar, I don’t know.

Iron Maiden - Final Frontier
Image by Iain Purdie via Flickr

This is exactly what happened at Sonisphere last year and why I was so disappointed with them then. The Iron Maiden fan club (and a couple of other people) responded to my disparaging tweet on the night with “What do you expect from The Final Frontier tour?”. I’m at a live Maiden show, I don’t give a bugger what album they’ve just released. I expect a fast-paced show with a ton of classics, not almost half of the performance being taken up with slow, dirgy, rambling, boring songs I don’t know. yes, I have the album. No, I don’t like it. Listened to it, consigned it to the same pile as Virtual XI and Brave New World.

If you’re going to support a new album, don’t fill it with songs that are so long. I saw Judas Priest the night before and I know far less of their back catalogue. However, if a song came on I didn’t recognise then I only had to wait 3-4 minutes, enjoying the pretty lights, until the next track.

The show improved, however, with the backdrop swishing back to introduce “Dance of Death” (OK, another long-ish one at just under 9 minutes, but at least it’s a good song) then “The Trooper“. Awsome. “The Wicker Man”. OK, one of the better songs off a fairly weak album. “Blood Brothers”. Pretty much the only other good one.

Oh. Then nigh on ten minutes of “When The Wild Wind Blows”. I was asleep on my feet by the time this was halfway through.

The rest of the set was, thankfully, excellent. “The Evil That Men Do“, “Fear of the Dark”, “Iron Maiden”, “The Number of the Beast”, “Hallowed be Thy Name” and “Running Free“. Oh, and of course the appearance(s) of the Eddie.

However, it still galls that out of a 2-hour set we got almost 45 minutes of new material. That’s an average of nine minutes per flipping song. What else could they have filled some of that time with? I’m not going to list all the songs I’d rather have heard, but judging by the grumbling from around me at the gig and outside as the crowd filtered out I was by no means in the minority at missing out on some classic tunes in favour of long, rambling new ones.

In future, I think I’ll be basing my decision to see Maiden on the strength of the current album or by checking out playlists from earlier performances on the tour if it’s possible. And if the tickets are gone before then? Well, it’s money saved.

P.S. The only worse decision I can recall Iron Maiden making was actually at the first gig I ever saw them at. They were touring in support of the No Prayer For The Dying album despite it not having been released as yet. Precisely one song was available (the single, “Holy Smoke”) and yet they played a good handful off it. If my memory serves, these definitely included “Tailgunner” and “Mother Russia”, possibly others. They then played the exact same set a couple of months later when they re-toured larger venues after the album’s release.

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Judas Priest / Queensryche Glasgow SECC

Judas Priest
Image by Iain Purdie via Flickr

[79 pics of the nights in this Flickr set]

The first of two big nights at the SECC with Iron Maiden tomorrow. It’s almost like a mini-festival with comfier beds.

Tonight, though, Judas Priest with Queensryche and Rival Sons in support. We missed Rival Sons entirely and only made it in time to see maybe three songs by Queensryche. In honesty, I was never a fan and what little I saw of them was never going to sway me. They’re not bad… they just never grabbed me musically.

If memory serves, this is the third time I’ve seen Judas Priest live. The first was way back in the early 90’s on the Painkiller tour at Newcastle City Hall. I only got tickets as Annihilator were opening for them. I ended up front row for a very impressive gig by a band I knew about 3 songs by.

Next up was Graspop in 2008, coincidentally with Iron Maiden headlining one of the other nights. Here they put on a great show, but Rob Halford really looked like he was struggling.

Judas Priest
Image by Iain Purdie via Flickr

No such problems this evening. Once the annoying DJ stopped messing about (good music, but good grief… what a nutjob), the curtain dropped and Priest burst into life. A shame KK Downing had left the band but nobody could have any complaints about new member Richie Faulkner. Aside from being a bit younger than the rest, he fit right in and was note perfect. Well done, son.

I’ll admit to not being the biggest Priest fan. I know a couple of the really old numbers, but mainly I got into them around the time of Ram It Down. As such, I didn’t recognise some of the tracks, but it didn’t really matter. Sure, I enjoyed “Painkiller”, “Nostradamus” and “Blood Red Skies” that bit more but the show was powerful enough that even the handful of tracks I didn’t recognise were enjoyable enough.

A half dozen flash pots, some smoke stacks and a bunch of lasers were all that was needed alongside a nice big amplified rig. Halford doesn’t talk a lot to the crowd, but what he does say is nice enough – pointing out album covers, crediting the original writers of songs Priest have covered and so on. Even a drum solo towards the end didn’t dampen the crowd who really started to go mad past the halfway mark of the 2-hour show with a pit opening up. OK, so there were only about 10 people in it at the peak, but still…

Judas Priest
Image by Iain Purdie via Flickr

Two encores rounded off the evening, and of course the highlight was Breaking The Law”. I don’t think Halford sang a word of the first verse and chorus, leaving it to the audience to make the noise.

It’s a shame this is their last ever world tour, but at least we know there’s another album on the way and live dates will be forthcoming, though not on the scale of the past. In fairness to the guys, they’re all around the sixty mark and have been doing this for an incredible forty years. I hope I have that much energy when I get there. And that my beard mysteriously gains colour like Halford’s. Seriously, why isn’t his grey? No fair.

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Review: Dave Gorman Vs the Rest of the World

Dave Gorman Vs the Rest of the World: Limited Edition with Bowling VoucherDave Gorman Vs the Rest of the World by Dave Gorman
My rating: 3 of 5 stars

Much as I like Dave Gorman, this is his weakest book to date. Not that it isn’t well-written, just that it’s a bit disjointed and not as “madcap” as his earlier works.

There just doesn’t seem to have the drive of Googlewhack of I’m Dave Gorman, probably as both of them had a deadline he was racing towards. This one is based around a series of meetings he had over some time which happen to have a common theme.

If there’s any build-up, it’s to the game he plays with one individual towards the end of the book who he corresponds with via email in the lead-up. This chapter is excellent, by far the best in the whole book, but it mainly stands out as it’s the most different.

The other pages are all about Dave meeting nice people, playing a game you may or may not have heard of and heading home again. It just doesn’t grab the reader the way his other works do.

It’s a shame as it is nicely written and Gorman’s got a good way with words, while being nicely honest about the foibles of those he meets.

If you need something you can pick up, blast through a chapter of and put down, knowing you won’t get a chance to read it again for a couple of days then it’s fine. The chapters are nicely standalone.

It would pass the time on the beach, and it did make me think how nice it would be to get involved in some kind of games again, too. Having said that, so did the Dungeons and Dragons episode of Community I just watched last night.

View all my reviews

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