Why I love heavy metal. By Mosh, aged 37 (just)

I got dragged out to Ivory Black’s in Glasgow after the Taste of Chaos tour on Saturday night. I gather it’s cheaper than the Classic Grand and full of less kiddies than the Cathouse. It was also flipping near empty! A shame as the music was excellent.

The point of this post, though. As I sat, helping drink the bar dry of tequila (why? I hate the stuff) there were two TVs on the wall in front of me. One was showing Penelope SpheerisThe Decline of Western Civilization Part II: The Metal Years. The other had last year’s Sonisphere “Big 4” video recorded in Sophia, Bulgaria.

The girls in our group seemed focussed on what Poison looked like in 1988. I was wishing the sound was up so I could hear Anthrax’ set.

However, as the older film approached its end, the final band featured playing live was Megadeth – featuring a very baby-faced and sneary Dave Mustaine. The band were on a small stage with no security. Fans were clambering up and launching themselves off with wild abandon – I can’t remember the last time I saw a stagediver at a gig. Seriously.

At the exact same moment on the other screen, Megadeth were finishing their set (in the lashing rain) in an arena or football ground in Bulgaria. A huge pit in front of them keeping them maybe 10m from the nearest fan. A huge sound setup. A crowd of maybe 50,000 or more.

It was just one of those coincidental moments, and it made me wonder… back in that first video did Mustaine have even the slightest inkling he’d be playing such a different environment around twenty years later? And who else would have believed that such a niche band would go on to such things.

Not just them, obviously. Metallica were also featured in both films. It just so happened that both Megadeths finished their songs/sets at the same time in front of me.

I can’t recall who, but apparently some tosspot on Radio 1 recently said that rock and metal is dead. Again. People like that obviously have no clue what they’re talking about and live in an little world of their own. All it takes is one glance at the gig listings in a magazine, or a check online to find the countless tours and festivals taking place.

The Download festival has arisen from the ashes of the old Donington Monsters of Rock. It now runs for four days. Sonisphere has appeared from nowhere and is adding new countries to its touring festival each year. Bloodstock. Hard Rock Hell. Damnation. High Voltage. That’s just the tip of the iceberg – and that’s only the UK.

Bands that didn’t even hit the heights of the likes of Metallica are still touring. Some are making comebacks, some never went away. In the last few weeks I’ve seen Annihilator and Exodus, to name but two.

Despite a continued lack of radio support (come on, Radio 1 – one show a week… at midnight?) heavy metal has continued to live and breathe for decades. It’s constantly being written off, but it has the most dedicated fans of any genre of music.

The internet has definitely helped – as it has with other types of music – allowing new bands a cheap outlet for their demos. This has without a doubt made a huge difference, especially around the late 90’s when thing were a little sparce in the metal field.

But now we have bands like Poison selling out arenas in the US. Lawnmower Deth, at the other end of the scale, are playing a couple of gigs a year after 15 years or so in retirement. Judas Priest are still going despite the band being old enough to have grandfathered a huge proportion of their fans.

You can have your own opinions about the music, but there’s no denying it. Heavy metal is here to stay.

Just deal with it.

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Taste of Chaos 2010

Disturbed
Disturbed’s excellent light show

[Full gallery within this Flickr set]

Saturday was a belter with a 4-band show at the Glasgow SECC. Wendi and I missed Halestorm due to public transport issues, but they were the only band we knew nothing about so it’s not the end of the world. Heard good things about them afterwards though.

Our opening band were therefore Buckcherry, who were allotted a dinky 6 tracks or so. They were fun, the sound was good and I would definitely like to see them do a full set sometime. Of course, they ended with Crazy Bitch.

Next up were Papa Roach who played a blinding set. Again, squished into a small time slot they managed to entertain a very enthusiastic crowd and crammed in pretty much everything you could want to hear from first album Infest right up to current single “Burn”. A simple light show behind the band added some nice touches to the affair and they left, sans encore, with a crowd baying for more.

Headlining were Disturbed, who took Papa Roach’s light show, multiplied it by about 20 and absolutely tore the place apart. I’m not a Disturbed “fan” as such, but I do like them and have to say I really enjoyed the set. There was a decent variety in the tracks, chief of which was their cover of Genesis’ “Land of Confusion“. I don’t think I’ve ever seen someone slamming to a Phil Collins number before. First time for everything.

The sound was very good, light show staggering, crowd awesome (except for two dicks who got into a fight in the pit during Disturbed) and the security friendly and helpful. If I had a complaint it was the lack of free drinking water. £1.50 a bottle is ridiculous. If much smaller venues such as the O2 and Garage can manage it, you’d think the SECC could.

Certainly a great “taste” of the bands featured, and excellent value for money for fans of three or four of them.

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Hatebreed – Glasgow Garage

Hatebreed - Glasgow 2
Hatebreed

[More pics in this Flickr set]

The weather sucked, but I still managed to make it along the M8 to Glasgow for the Hatebreed gig. The motorway was like driving on unsurfaced back streets. Only slippy. This country really can’t handle a cold snap.

Due to the low turnout – weather related – the gig was shifted downstairs from the Garage to G2. A smaller venue, but far better suited to a small crowd. It also means the beer was only £2.80 a pint, though that could be because I got there so early. Glad I did as well, as there was an early curfew and Hatebreed were due on stage at 8:30. I’d normally have expected a headliner on at 9:30!

The band kicked off with three songs off the current album which suits me. The self-titled Hatebreed is, in my opinion, their strongest overall album to date. Older albums have some individually great songs, but this one’s damn good from start to finish.

Over the hour-and-a-quarter, the band hammered out a ton of material with very few breaks to draw breath. Songs from the first EP were thrown in, as was a Slayer cover and load of classics.

It’s great to see original guitarist Wayne Lozinak back with the band. I spent the majority of the gig pressed against the barrier right in front of him. Courtesy of a stinking cold I really wasn’t up for the pit (though it didn’t stop me on a couple of occasions!). Hopefully I didn’t shower him in snot when I was headbanging. Regardless, I managed to catch one of his picks afterwards. I’m sure I already have one somewhere from a previous concert – I think the Machine Head support slot they did a few months ago.

As ever, it was a good crowd and as Jamey Jasta said – well done to those who made it for braving the roads. I’m sure there would have been a lot more people there if they could have made it. The hour-long drive from Edinburgh was nearer two hours so I doubt anyone much further afield would have stood a chance of making it there safely.

As ever, the security at the Garage were superb. It’s encouraging when you see one of the bouncers stood at the front of the stage, nodding his head along to the music! Barrowlands could learn a thing or two from the staff here. Like how not to be an absolute bunch of egotistical, steroid-dependant *******, for instance.

Definitely a band worth seeing if you like the hardcore side of metal. If I had to pick a band with the best lyrics going these days, they’d be at the top of the pile. I’d love to see them in a larger setting again, maybe a festival over summer. I can only hope!

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Airbourne – Glasgow Barrowlands

Airbourne - Glasgow Barrowlands 8
Airbourne – Glasgow

[Complete collection of photos in this Flickr set]

Airbourne are a band I’m familiar with and know a few songs by, but don’t know a lot about. One thing I can tell you after this gig is that they are one incredible live act!

They do often get compared to AC/DC for a variety of reasons and I would be tempted to go that direction. Their sound is similar and they focus on one key figure in the band. OK, kind of. Lead guitarist and singer Joel O’Keeffe is like Angus Young and Brian Johnson wrapped up together in one rock’n’roll shaped package.

Within three songs, Joel was walking around the crowd having walked off the side of the stage. No bouncers or security (more about those arseholes later), just a man and a guitar wandering around a sell-out crowd and jumping on a bar for a drink. He got carried around shoulder-high by a couple of fans for some time, making his way back to the stage.

Towards the end, Joel smashed a few cans of lager on his head, the crowd rocked and all was good with the world.

For me, a gig needs three things – a good band, good sound and a good crowd. Airbourne had these in spades. I’ve yet to be let down by a Glasgow crowd at a gig. Always up for it!

Someone needs to feed something down to the Showsec trolls at the front though. I had a run-in with one of these neanderthals twenty years ago when I was at Barrowlands to see Megadeth. I was dragged by the hair (I had some then) into a back room by some huge brute who threatened to break my legs and kick me out if I dared to crowdsurf again.

This time round, as Joel is telling the crowd to climb on each other’s shoulders, crowdsurf, slam – whatever – the “security” ******* were busy telling people to stop and threatening to throw them out if they didn’t obey.

So, basically, twenty years go by and Barrowlands still haven’t been able to find staff that have the slightest idea of what people having fun looks like. Quite how they’ve managed to stay in this black hole when nearby venues such as the Academy and the Garage cope perfectly well is beyond me.

Basically, an awesome gig by a fantastic live act spoiled by a small number of complete cocks. Who were being paid to be there.

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Annihilator – Glasgow Garage, Nov 14th 2010

Annihilator, Glasgow Garage 6
Annihilator, Glasgow Garage

[Photos: Flickr set for the gig]

Just a quickie little review of a great little show. The last time I saw Annihilator (in fact I think the last time they were in the UK) was around 20 years ago. I saw them opening for Judas Priest on their Painkiller tour at Newcastle City Hall. If memory serves, they were touring on their second album Never, Neverland. I was with Jon Toward and we were late so missed them hitting the stage.

This time I arrived about ten minutes before they came on. Just enough time to wait at the bar, fail to be served and save myself four quid. Bargain.

In honesty, I was a little taken aback by Jeff Waters‘ lack of hair. As I said, I’ve not seem them in 20 years, even if I have kept up with the music! The sound was excellent, though, and the crowd very receptive although it was nowhere near a packed house. Plenty of room to move around and get some good photos.

I’m old (school), so was waiting for the material that matched my wrinkles. I wasn’t disappointed with a great variety of it amongst some of the newer stuff. “King of the Kill” and “Hell is a War” were superb, the intro to the latter sending chills up my spine.

A surprise sit-down session occurred towards the end of the set as the band played two oft-requested tracks that haven’t been given a live airing before (we were told). “Phoenix Rising” had Jeff playing away with an expression on his face which spoke volumes. It said “I have the best job in the world and I ******* love it”.

Chants of “Jeff is God!” rang out as the band closed with a final flurry of thrashy goodness including “The Fun Palace”, “Phantasmagoria” and “Alison Hell”.

A great set, no showboating, an obviously happy band, mad crowd and top sound quality (thanks to the Garage once again). I only find it a shame that despite Waters being consistently rated one of the top guitarists in metal and a huge influence on many bands, Annihilator never reached the size of the likes of Metallica.

Having said that, I’d still rather pick up a new Annihilator album than one from the greedy Dane and his mates.

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