Tag: Jim Carrey

Dragon tattoos, Phillip Morris and bounty hunters

I Love You Phillip Morris
Jim Carry does not have a dragon tattoo

Due to a timetabling cockup I ended up going into town earlier than anticipated. And then due to a very fortunate piece of scheduling I managed to cram in three films rather than just the one I’d intended. Thus Män som hatar kvinnor (The Girl With The Dragon Tattoo), I Love You Phillip Morris and The Bounty Hunter all in one afternoon/evening.

The Girl With The Dragon Tattoo

Plot-in-a-nutshell: A journalist is tasked with finding a girl, missing for fifty years and on the way discovers a far murkier history to the story

I had absolutely no idea what to expect from this film. At all. I’d not seen a trailer and the only review I’d heard was part of one on Radio 5 a week or so ago where I was warned about the violent nature of the sex scenes. All I knew was that it was based on a novel and it was in Swedish. Thankfully with subtitles.

The lack of forewarning is always good when seeing a film based on a novel, Swedish or not. Mainly as it’s very rare for those who’re read the book to enjoy the film. I’ve still yet to meet anyone who’d read The Lovely Bones or The Time Traveller’s Wife also recommend the film afterwards. Such is, I gather, the case with TGWTDT.

This is a shame as it’s not bad. It’s long – almost 2 1/2 hours – but it rarely seems to drag. The pace is a little slow to start, but once the additional depth is added and the characters are explored it all moves along nicely.

Michael Nyqvist plays the journalist, Michael Blomkvist, and Noomi Rapace takes on the role of Lisbeth Salander, the titular Girl. The one thing that surprised me was that very little was made of the tattoo itself. She does have one. You see it. That’s it.

It’s her character that’s the most intriguing, though, even more-so than that of the missing girl. She’s damaged, under guardianship… but we don’t know how or why. This thread runs from almost the beginning of the film until almost the end.

Some of the sex scenes are indeed brutal. There are only two to really watch out for and they’re not hugely graphic, just unpleasant. A few people did leave the cinema but not during or immediately after either of these, which seemed strange.

It is a long film, and it’s not exciting as most Hollywood-made thrillers and mysteries have to be. There are maybe a couple of adrenaline-pumping moments in it. The rest is slow, methodical, thoughtful and captivating.

If you like a film that makes you think and don’t mind sitting around for long then this is worth the effort. On the other hand, if you need a shooting or a car chase every thirty minutes then definitely look elsewhere.

I Love You, Phillip Morris

“It’s really expensive being gay”

Plot-in-a-nutshell: Great husband Steven Russell (Jim Carrey) decides to stop living a lie and come out of the closet… and jumps into debt, resorts to fraud and lands in jail where he meets the real love of his life – Phillip Morris (Ewan McGregor)

Amazingly based on a true story (how closely based, I’m happy not knowing), this is a great story with some equally impressive performances from all those involved. Narrated by Russell, we hear about his beginnings as a wonderful family man before a car accident makes him realise that life’s too short to live a lie.

You do need to be pretty open-minded to watch this film. There are some overtly (homo)sexual sequences that some may be uncomfortable watching and there’s a fair bit of strong language. However, this is all balanced with some genuinely funny moments and great dialogue.

Russell simply lets his life run away with him and doesn’t realise what he’s doing half the time. He just happens to be good at it so he runs with it. McGregor is excellent as Morris and the pairing of the two just works.

There is a near-twist at the end that works up well and I confess I wasn’t expecting it – though I’m sure half of the cinema was. I shall say no more in case I spoil it!

Not the best film ever, and there are more insightful commentaries on the issue of gays in society (Philadelphia still has to hold the award for that) but it’s simply enjoyable as it doesn’t pull any punches about its subject matter.

The Bounty Hunter

Plot-in-a-nutshell: Milo (Gerard Butler) is a bounty hunter who has to bring his ex-wife Nicole (Jennifer Aniston) in for skipping bail – hilarity is supposed to ensue.

Seen the trailer for this film? Then you’ve seen all the good bits. Like Ms Anniston, it’s got a couple of good parts but the rest is all filler.

The funny parts are genuinely funny, but they’re few and far between. The central section where the couple start to get all mushy over each other again is just slow and painful. The ending, though, isn’t bad.

Basically, it’s a bit of a mess. I’d happily recommend maybe half of it. Unfortunately, without providing you with a timetable of when you can walk out of the cinema and come back in it would be hard to miss the dross.

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Disney’s A Christmas Carol

I might as well be seasonal, even if the next few posts are all going to be film reviews. I had a bit of a film-fest catching four films today. It would have been five, but I wanted to ensure I was home early enough to help my little cousin put out the magic reindeer food to guide Santa‘s sleigh in.

So – Disney‘s A Christmas Carol. Another adaptation of the classic Charles Dickens novel, this time at least not featuring any cutesy characters other than those introduced by the author himself.

Plot-in-a-nutshell: Incredibly tight money-man Scrooge makes everyone’s Christmas miserable until he’s visited by a series of ghosts.

There’s no real need to explain the story as it’s so well known, but this has to be one of the best adaptations I’ve seen. Robert Zemeckis used the bizarre semi-realistic animation he introduced with The Polar Express and it suits the film perfectly. Jim Carrey‘s voice is almost unrecognisable as Scrooge (through all the stages of his life) and is excellent. I was amazed when I checked afterwards to find he did the voices for all three Christmas ghosts as well.

What sets this film apart is the way it’s been made. Visually it is simply superb. The ghosts are portrayed in four wildly different fashions, though they’re all pretty creepy. Leah has told me that most of her primary pupils that were taken to see it are still having nightmares a week on. I can’t say I’m surprised.

Zemeckis has done a wonderful job of keeping the film true to the original material. As far as I can tell, the dialogue is straight from the book. Carrey and the rest of the cast do a top-end job of making it sound good, too. Not too hokey and not so old-fashioned or archaic.

If I have any complaints, it’s the fact that the IMDB page has two questions in the FAQ: “Is the film based on a book?” and “Is one of the characters snorting cocaine?”

Good grief.

Incidentally, I saw the film in 2D and I can see a few sequences where 3D would have worked well. However, I don’t think it’s lacking anything by being seen without silly specs on.

A lovely film, beautifully crafted and closely based on a highly enjoyable piece of literature.

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