Wall Street 2 / Made in Dagenham

Wall Street: Money Never Sleeps
Wall Street: Money Never Sleeps

Two-film Saturday again. I popped over to the Cineworld in Edinburgh to chill out and forget the world for a few hours. First up on today’s list:

Wall Street: Money Never Sleeps

“Why don’t you start calling me Gordon?”

Plot-in-a-nutshell: Young upstart financier finds himself engaged in corporate corruption, and engaged to Gordon Gekko’s daughter.

Oliver Stone returns, bringing the iconic character of Gordon Gekko (Michael Douglas) back for a second airing some 23 years after the original. Wall Street was, and still is, an iconic piece of film-making, exposing all that was wrong with the financial world at that time. This sequel attempts to do the same, focussing on events of the last couple of years.

The films kicks off with Gekko being released from prison while his estranged daughter Winnie (Carey Mulligan) is shacked up with a fledgling financier, Jake Moore (charisma vacuum Shia LaBeouf). The bank Jake works for starts to crumble, his mentor and boss Louis (superbly played by Frank Langella) tops himself and Jake finds himself “teaming up” with Gekko in a bid to find out what happened to start the whole mess.

LaBeouf is the odd one out in this film as he’s capable, but just not that great. Given his past roster has included being eye candy for girls in the awful fourth Indiana Jones film, and the teen-kid from both Transformers movies it does surprise me to see him in a “serious” role. He’s OK as far as it goes, but just doesn’t really carry it off that well.

Douglas is, of course, excellent. Slimey, sleezy… and you never quite know if he’s being genuine which does lend itself well to the plot. Langella, as I mentioned, was superb – probably the best actor in the film.

It’s a tad under two hours long, but manages not to flag right the way through and the story carries on right until the very end with little “fluff” hanging off the plot. Having said that, there are few major surprises as we go through other than the very end which is – in honesty – a little weak.

Perhaps not as powerful a film a the original, and mainly as we are now as a public somewhat more informed of what happens in the financial world. After the revelation that was Gekko’s first appearance we have discovered that sharks like that aren’t just movie characters and villains in books. On the flip side, it makes things all the more believable.

The reviews I heard on the radio yesterday weren’t all that favourable, but I enjoyed it. In fact, I think I’m going to try and find a copy of the original to watch. It’s been a long time and I’d like to compare them.

Made in Dagenham

“Unskilled, my arse!”

Plot-in-a-nutshell: Company pays peanuts to women, they go on strike, **** hits fan, world is changed.

Based on the real events of 1968, Made in Dagenham follows the story of a couple of hundred female workers who downed tools and forced first the world’s largest motor manufacturer, and then the British government to change the law relating to sexual equality.

The film begins with the gears already in motion, the women threatening to turn off their sewing machines unless they are given a better pay grade. On their side is foreman Albert (Bob Hoskins) and he drafts Rita O’Grady (Sally Hawkins) in as a right-hand-woman. They also allegedly have the support of the union, characterised by the slothful Monty Taylor (Kenneth Cranham).

Meetings go from bad to worse, and the women walk out causing problems further down the production line as the new “Escort” has no seats to fit into it. As the situation blows out of proportion, men are laid off, factories close and Ford execs are shipped to the UK to try and deal with both the workers and our government.

Top two cast members for me have to be Richard Schiff (Toby from TV’s The West Wing, looking surprisingly young without a beard) as one of the execs, and Miranda Richardson as then First Secretary of State  Barbara Castle. She really does bossy and shouty very well, and I confess I can’t see her without thinking of her as the Queen in Blackadder II.

The story twists and turns with both high and low moments. The women’s demands increase from “a bit more cash” to “equal pay” back in the day when women were routinely paid a fraction of the amount that men were for the same work. Council estate hardship is compared to posh house luxury as Rita befriends the wife of one of the factory bosses (played by a damn hot Rosamund Pike), giving another facet to the story as women’s domestic suffering is also highlighted.

There’s a fair bit going on here and on the whole it’s played in a lighthearted way, but it’s a fantastic story boiled down to a little over ninety minutes. How close it is to the actual events is down to the historians to tell me, but it’s a very entertaining dramatisation and I’d highly recommend it. Another victory for British cinema.

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Alice, Girlfriends and Green Zone

I didn’t quite manage four films yesterday – the scheduling was slightly out around 4pm so I couldn’t fit the extra one in – but I still caught Tim Burton‘s Alice in Wonderland 3D, My Last Five Girlfriends and Green Zone.

Alice in Wonderland – 3D

“Off with their heads!!!”

Plot-in-a-nutshell – girl falls down hole into bonkers world.

Of course, everyone knows of the original Lewis Carroll stories and the old Disney animated version for many moons ago. It does seem the ideal environment for Tim Burton to let his insane mind run riot. Talking rabbits, animated playing cards, scary creatures… all very dark and scary.

Only it simply doesn’t work, partly due to the story being a bit weak. There’s no denying the visuals are superb – the Cheshire Cat is particularly well done – but the story just doesn’t back it up. Even the usually dependable Johnny Depp fails to bring much life to this film.

Thing is, we’ve seen Johnny Depp in a top hat being mad before. It was called Charlie and the Chocolate Factory. I’ve not seen that one but I hope it’s better than this mess. There’s just no real “grab” to this film. I wasn’t interested after the opening and the move from real world to fantasy.

Mia Wasikowska is OK as Alice, but nothing special. Helena Bonham Carter just tries to to her impression of Miranda Richardson from Blackadder II, lisp included.

The 3D didn’t add anything either. One of the trailers which was also in 3D engaged me more than any of the film.

Sorry, despite all the publicity and so forth – “miss”.

My Last Five Girlfriends

Plot-in-a-nutshell: A man contemplates suicide after five failed relationships.

This is a rather quirky little number, with some very imaginative sequences. A mixture of film, animation, special effects and so forth it has a slightly disjointed and dreamlike quality but it’s very imaginative and holds the attention. Otherwise it’s not a hugely original story, but the way it’s told really makes it.

Brendan Patricks plays Duncan, the central character. He narrates as well as plays the central character and the dialogue is quite chatty and lighthearted. Anyone who’s been through relationships will be able to relate to at least a few of the situations – do you lie about how bad those shoes she bought really are? How do you tell someone you love them? What is your reaction when you find out your partner’s been seeing someone else?

I wasn’t really sure what to expect an the film is just a little off-kilter in how it’s told. While I got bored of the bizarre scenes of Alice (above), I quite liked the way it had been weaved into Five Girlfriends. More of a narrative tool than reason for the whole narrative in the first place.

Probably not for everyone but I enjoyed it.

Green Zone

Plot-in-a-nutshell: America invades Iraq to oust Saddam Hussein and destroy his weapons of mass destruction… didn’t it?

Matt Damon returns as Action Man in a new thriller giving him a break from the Bourne films. This does make a change from that series, though it’s directed by the same guy. Fast-paced action films, some good tense moment and a fairly political plot that certainly won’t please the last Bush administration. Which is another plus point.

Damon plays “Chief” Miller, a unit leader who’d getting more than just a little upset about his team wasting time, energy and lives in the attempt to find seemingly non-existent WMD. The story progresses into a CIA v FBI thriller with some incredibly well-filmed scenes in the streets of downtown Baghdad (well, Morocco, but it does a good impression).

The story does twist a little, though the ending doesn’t come as a huge shock. However, the journey there is an enjoyable one. Constantly tense and very well filmed, it’s dirty, messy and mirrors the scenes of Baghdad we saw on the news those years ago very well indeed.

While certainly not a classic, it’s a very good contemporary war film which is definitely worth a couple of hours of your time.

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