It’s the holidays which means we have to find things for the kids to do. So, with the sun blazing outside we headed for a darkened room to watch a fat man and some small yellow creatures.
Plot-in-a-nutshell: Villain turns hero as Gru is drafted by an anti-bad-guy organisation
See if it you like: kids’ films with cute backing characters
It’s a fairly unimaginative name for a sequel – there’s not even a subtitle – but they’ve tried their best to put a new spin on the characters and storyline. Gru (Steve Carrell) is this time a good guy after turning over a new leaf at the end of the original. He’s partnered with Agent Lucy (Kristen Wiig) to find out who’s stolen a secret formula which turns simple, innocent creatures into vicious, invulnerable monsters.
Guess which creatures the formula will be used on?
As ever, the story is ably backed up by the cast of millions of minions (due to star in their own sequel in 2014). In fact, they’re still the real stars of the film. Proof? Have you seen any Gru merchandise? Or the three orphan kids? Nope.
There are a couple of pop culture references, some great slapstick sequences but – for some reason – the film left me feeling a bit flat. Despite some genuinely funny moments, I just found it a bit samey. Different from the first film, but too similar to many others.
It’s still good. The kids loved it (though Little Mister claimed that the purple monsters were too scary and wanted to leave – he settled for firing imaginary arrows at them instead), and the audience were laughing out loud at a handful of scenes.
I’d still recommend it even though I wasn’t too keen on it as it’s more likely down to me being pooched. I was up at 5am to give a friend a lift to work, so was struggling to stay awake at points. No reflection on the animation, though!
Me being me, I like variety. Plus, I must be the only person who can visit Bangkok for a day and spend 4 hours of it in a cinema…
Predators
“It’s a trap”
The original came out in 1987, the sequel with Danny Glover not much later (I saw it again recently – it was pants). Finally, in 2010 we get a proper sequel to Arnie’s alien shooter. It’s been given the Aliens treatment, hence the pluralised title, in that there is more than one predator. In fact, as the movie progresses you’ll find out there are quite a lot of them.
The opening’s pretty swift. No messing about with the fact this is an action film and one where the characters and audience begin without a clue as to what’s happening. Assuming you’ve not seen the trailer anyway. For those who want some background:
Eight people (well, 9 – you’ll see the ninth very early on) are kidnapped from earth and wake up as they drop from a significant height towards a jungle. Each of these people is a member of an elite fighting force or similar. Except one, who seems to have been “lifted” by accident. Work together, or go their own way? And who’s kidnapped them? And why?
Predators doesn’t take long to get going and the large cast get whittled away in no obvious order. The predators themselves are very close to those from the original film, which is welcome. No huge changes as there were with the aliens in the third and fourth films in that franchise.
For those who’ve read the comics and books, there is no great surprise in the way the alien hunters have developed. Some credence is given to the two Aliens v Predators films as well.
The rag-tag bunch aren’t played by any “big-name” actors which makes the order they’ll be plucked off slightly less predictable than usual. Still, just by looking at the bunch from the beginning it’s not difficult to make an educated guess as to who the last handful will be.
While not a classic, this certainly isn’t a bad update on what was – at the time – a classic action/sci-fi film. Building more on the original than any of the sequels was certainly a good decision and I’d certainly be interested in seeing where a sequel could go from here.
I love my cartoons and this one was great, even though I was forced to watch it in 3D which it really didn’t need, or use very much. Well, except for the end credits which you do need to st through.
Steve Carrell voices Gru, a supervillain. Well, OK. More of a crap villain. Getting on in years and being upstaged by younger villains, Gru sets about the Plan Of The Century – stealing the moon. Trying to stop him is new villain, Vector (Jason Segel), who has stolen the shrink ray that Gru himself pinched.
Thrown into the mix are three little orphan girls who slowly soften Gru down while the stars of the show are without a doubt the “minions”. Countless little yellow guys who are used as experimental objects, punching bags and so forth. They even make the same “waaaaaaaaawww” noise in unison as the little three-eyed aliens from Toy Story. Cute as.
It’s a nice simple plot, the voice acting is superb (with one exception) and the laughs are plenty. Adults will enjoy a few very subtle bits of humour – check the out the former name of the Bank of Evil as Gru enters.
Definitely recommend, but save your money and see it in 2D if you can find anywhere presenting it in that format. I couldn’t.
Oh, and the poor performance? Russell Brand who voices an aging professor. It just doesn’t work. Besides, will people stop hiring this man? He’s a complete funt-wit. Let him vanish into the obscurity he so richly deserves.
Three pretty quick reviews as I’m dead beat and just want to crawl into bed – It’s A Wonderful Afterlife, Repo Men and Date Night.
It’s a Wonderful Afterlife
“Use guilt. You’re her mother. It’s your right.”
Plot-in-a-nutshell: Bonkers Indian mum is desperate to arrange a marriage for her somewhat chunky daughter.
Imagine a cross between Peter Jackon’s The Frighteners, Bend It Like Beckham (from the same team) and sorely under-rated Rowan Atkinson vehicle Keeping Mum. Of course, it helps if you’ve seen all of them. Each is superb -Â Afterlife plucks some of the juicy bits from them but doesn’t quite hit the winning formula. It’s still good though.
Mrs Sethi (Shabana Azmi) is a widow with two kids – an irresponsible son and a daughter who was engaged once, but (seemingly due to her girth) was dumped and now finds it impossible to find a new partner. In stero)typical Indian mother fashion, Sethi sets out to try to palm her off on anyone willing to take on a comfort-eating dump truck.
Thing is, she goes a little too far when some people turn her daughter down and… erm… kills them. Obviously, the police get involved – including Heroes‘ Sendhil Ramamurthy, who just happens to be a childhood friend of the daughter Roopi (Goldy Notay in a fat suit).
The two plot strands – marrying the daughter off and avoiding the police – are woven well, with four (to start with) ghostly companions following Mrs Sethi’s every move. The jokes are generally amusing, the acting very good and the special effects very simple and not showy.
The film does nod at a few other movies – the Carrie reference is actually more of a wild gesticulation with hands pointing and buzzers than a nod – so there’s the added fun of spotting the references.
Overall, fairly light-hearted given the subject matter and well-made. Given the fact that the cast and crew are predominantly Indian it does mean that they’re “allowed” to take the piss out of their own culture a little more than a non-Indian crew would, I feel – and this is great. If you can’t laugh at yourself, who can you laugh at. I thank them for letting us join in.
Repo Men
“Can’t pay for your car? Bank takes it back. Can’t pay for your house? Bank takes it back. Can’t pay for your liver? Well, that’s where I come in.”
Plot-in-a-nutshell: In a future where you can buy new artificial organs, there are a lot of people who default on the payments – and someone has to go and collect them.
Repo Men has little, if anything, to do with Alex Cox‘s 1984 cult classic Repo Man. This isn’t necessarily a bad thing in my opinion as I found that film to be rather… well… crap. As are many cult classics as far as I’ve found. But don’t take my word for anything. I thought Withnail And I sucked, so what do I know?
Jude Law plays Remy. Partnered with Jake (Forest Whitaker) they make the best repo man double team in the city. Anyone who buys an organ on hire purchase and defaults on payments for 96 days is automatically put on a list to have those organs retrieved. If they’re lucky it’ll just be one kidney. Or it could be a liver. Or a heart. Remy and Jake repossess them for The Union.
Thing is, Remy’s wife isn’t too happy that his job involved hacking people up and ripping out their metallic giblets. She gives him an ultimatum – quit and move into sales, or she’s leaving with their son. So Remy does “one last job”… which doesn’t go quite as planned.
Repo Men is quite bloody, given the subject matter this is hardly surprising, so if the sight of a bit of claret is likely to make you woozy then steer well clear. Also, if you’re into films with a deep and meaningful plot you might want to check out something else. Or indeed if you’re after anything that utilises the parts of your brain designed for piecing together great mysteries.
This is more of a schlock action film. There is a story and it’s OK. There’s even a twist but it’s pretty obvious what it’s going to be if you pay attention. What is does have is good action sequences and nice grisly effects.
No classic, that’s for sure, but if you want some gore and arterial spray to entertain you then this is one to catch.
Date Night
“He turned the gun sideways! That’s a kill shot!”
Plot-in-a-nutshell: A couple on a night away from the kids suffer a case of mistaken identity that leads to guns, gangsters, car chases, corruption and very sexy Israelis. Happens all the time.
Steve Carell is definitely a bit hit and miss in his choice of roles. 40 Year Old Virgin was superb. Get Smart was better than it had any right to be. Date Night plays like the latter without the spy stuff. Or most of the jokes. And less slapstick, shy of Tina Fey walking into drawers that have been left open.
Carell and Fey play Steve and Claire Foster, a married couple who find that life’s getting just a little boring. When their friends announce they’re divorcing due to their relationship going a little flat, the two decide to spice things up with a night out in a slightly more posh restaurant than normal. Only they can’t get a seat, so they pinch someone else’s reservation.
Obviously, the people they pretend to be are being sought by gangsters. Isn’t that always the way? Cue a night of being chased, shot at, hit and so forth.
In its favour, Date Night does have a couple of good laughs. The “boat chase” is very much a laugh-out-loud moment. Very well done. The car chase has a novelty element to it, so marks for originality (as far as my memory goes) for that. There’s even some tolerable dialogue.
However, it just plods along in places and overall it’s just not outstanding. The plot’s been done before, or at least it feels that way. The characters are cardboard and recycled from a score of previous films. The whole thing gets wrapped up ridiculously quickly towards the end.
I have seen far, far worse films but I still don’t understand why Date Night is getting such incredibly favourable reviews. It’s entertaining, but it’s not a comedy classic by any stretch.