Ah, memories. I used to get tons of comics and annuals when I was a kid. Although I’ve stuck with 2000AD, I used to get a load of the more “child friendly” ones in the runup – Whizzer & Chips, Whoopee, Nutty, Buster and all that stuff. A year or two ago, Rebellion Publishing (who now own 2000AD et al) managed to purchase the rights to a lot of these titles, as well as a huge library of material.
So as well as reprinting some classic strips from creators such as the incredible Leo Baxendale, they also have carte blanche to create new strips using the old characters, bringing them up to date a little. This is their first effort, a bumper issue headlined “COR!! BUSTER” but featuring characters from perhaps eight or nine different comics. I was sold by a couple of things – the faithfulness to the original characters and, in some cases, artists; and the little pop culture references. There’s one in particular on the final page of the Kid Kong story that had me giving a genuine guffaw followed by a chortle.
My beanbag arrived the other day. Quick move of the desklamp to the unit (which I lugged over with the help of the lovely Gillian last week) and I have a nice cosy reading corner, right next to the radiator. Perfect for the cold winter nights that I’m sure we’ll still have a few of because it’s only April.
For those who aren’t aware, 2000AD is a weekly sci-fi comic produced in the UK. Originally, I think, under the ownership of Fleetway – one of the biggest comic companies going in their day – it was more recently bought by Rebellion who have done an incredible job of raising its profile and ensuring that the publication will be around for many years to come.
Thirty seven. That means it was first published in 1977, the same year as Starburst magazine‘s first incarnation and some film called Star Wars. Indeed, 2000AD was released to jump on the sci-fi bandwagon created by George Lucas’ blockbuster. Such was the way back then – quick release, short run, then pinch the more popular characters to put them into your flagship title.
Only 2000AD surpassed all expectation and became a flagship title. Starlord was published to run alongside it as its peak, lasted a few months and a couple of still-familiar faces (including Strontium Dog) joined the ranks of 2000AD. Hell, even the mighty Dan Dare graced the pages of 2000AD for some time, in between incarnations of The Eagle.
But when did I start reading it? Given that I wasn’t even four years of age when the first issue came out, I’ve obviously not been reading it since day 1 – although I have managed to go back and fill in all the gaps with the help of pretty much all of my Christmas money one year.
I started reading in the early 80’s. I would have been 10-11 years old and to this day I cannot recall why I started reading. Therefore I’m blaming Tharg the Mighty and some kind of mind control device. I just remember going to the newsagent’s where I worked (Sunday deliveries) and asking them to hold it for me every week. I don’t even know if I’d read it before then. Maybe an annual or something.
What I do remember are little moments around then. One in particular was walking to school with my new issue. It was a sunny day, because I was with a friend and leafing through the pages. The cover depicted Messerschmitts attacking Mega City 1 after flying through some kind of hole in time. After a quick Google, I’ve found this to be prog 446 from November 1985. Not my first issue, but one I remember for some reason.
Then there was the short-lived Diceman series which jumped onto the “Fighting Fantasy” bandwagon. Comic-quality storylines involving choosing your own path, sometimes with combat based on rolling dice. Brilliant.
Judge Dredd got his own fortnightly title in 1990 (the “Megazine”) which, though now monthly, is also still going strong. He was played by Stallone in a risible film in the 90’s and again, far better, in last year’s “Dredd” – but was one of the key influences on the original RoboCop. Dredd has battled aliens from Mars, Batman, the Joker, Lobo, Aliens and a Predator or two. He’s also featured in at least two computer games, a role playing game and a desktop wargame. Then there’s his musical influence (the band Mega City 4 and Anthrax’ “I Am The Law” to name but two).
Rogue Trooper has ended up as a computer game and a desktop game, Strontium Dog ended up in development hell as an idea for an ongoing TV show.
But it’s not just the characters. A huge number of writers and artists making their way in US comics cut their teeth in the pages of 2000AD. It’s a testing ground, and still a risk-taker – something that the “big two” in American comics can’t afford. They’ve tried stuff that’s fallen utterly flat… but, hey, it’s an anthology comic so there are always other stories in the issue to back it up.
For a single title to last this long is staggering. To maintain ongoing quality and to be making a bigger imprint on other media now than it ever has is incredible.
I’m the proud owner of a (near) complete collection of the weekly comics, annuals, spin-offs and so on. The amount of merchandise these days is a little out of my budget, but I did get a fantastic Dredd-themed cake for my birthday and treated myself to a similar tattoo last year. I can’t wait until our son is a bit older so we can start going through all these old comics that dad keeps in the loft and share the excitement I had reading them for the first time.
So happy birthday, 2000AD. Thirty seven years old and in far better shape than I am at forty. Long may you reign!
Well, I’m going to complain about the fact that you think I only complain. I’m going to do so by also spreading a little credit where it’s due.
Sad fact first: I’m 37 (that’s not the sad fact, though it’s pretty depressing) and I still read comics (that’s the sad one). Specifically the British anthology 2000 AD. It pops through my door every week (as does the Judge Dredd Megazine each month) and I own every single issue bar about a dozen of them. Not bad for a comic that will celebrate its 34th birthday next month. The current issue is number 1717.
Anyway, here’s the email I just wrote to the letters page. I just wanted to make sure that, even if it doesn’t get published, the creative team behind this issue’s Judge Dredd story get the credit they deserve.
I’ve not written in for several years, but prog 1717’s one-shot DreddÂ story “In Control” deserves an email. I’ not going to analyse itÂ in-depth or waffle on. Suffice to say that I frequently enjoy theÂ single episode stories more than the lengthier arcs, but “In Control”Â was one of the finest I’ve seen in a long time.
The Carroll droid (as well as having a most excellent surname – anyÂ relation to Newcastle United‘s number 9?) has produced somethingÂ fast-paced, humorous and from a viewpoint which I don’t believe hasÂ dominated a Dredd story before. Fraser/Caldwell’s artwork fittedÂ perfectly – I always like the wobbly miniature characters in Fraser’sÂ crowd scenes – and Parkhouse is a superb crafts-droid when it comes toÂ lettering.
It always makes this Earthling feel warm and fuzzy inside when theÂ Galaxy’s Greatest manages to pull off something like this. After overÂ 1700 issues, a story that still makes me go “wow”.
News is now popping out that a new Judge Dredd movie has been green-lit. My first reaction was “Oh, Hell. No. No no no no no”. But that’s an obvious knee-jerk given the cinematic abortion that resulted from putting Sylvester Stallone in the lead rôle and hiring a bunch of wankers who didn’t give a shit about comics continuity as script-writers.
For those more familiar with the Marvel world, let’s just say that the 1995 Judge Dredd plot was akin to having Spiderman appear maskless; his uncle still being alive; Aunt May being a lesbian; Spidey teaming up with Sandman (played by Joe Pesci for humour value); and killing off The Kingpin. Just ignore anything and everything in the continuity. It doesn’t matter. It’s only a film about a comic. Nobody will care.
The new productions company is DNA, fronted by Danny Boyle. Now, this is something very different from what Boyle/DNA have done before. Their cinematic repertoire is pretty good, but I think this is their first license. However… the main thing that makes me feel positive is that they simply won’t want the backlash that results after the first one came out.
Given it’s also a new company and a fresh license they can get away with pretending the first film never happened. Fuck know, I wish I could.
Credit where it’s due – the designers and builders who created the vision of Mega-City 1 for the original film deserve plaudits. Sure, there were differences between the comic and the film version but that’s akin to giving a new artist a license to tweak things to his own style. And why shouldn’t the LawMaster be able to fly? There are plenty of other flying vehicles in the Big Meg. Plus, those huge shoulder-eagles aren’t evry practical, even if they do look good in the comic.
Nah, that was all fine. But the script-writers should have been taken down a back alley and shown how a daystick works. Particularly the guy who though nobody would mind The Ferg’s memory being besmirched by turning him into an annoying Pesci-like sidekick.
Mr Boyle, the ball is in your court. I have faith in you and your company. Please don’t let me down like the last lot did.