Watched them wow the crowd at Wacken barely a week ago, and now I’m getting my photo with Joakim from Sabaton!
With the year in gigs covered, it’s time to turn to the album releases of 2012. Note that these are just the albums I got – there are countless others, obviously! Albums listed are in no particular order.
All That Remains – A War You Cannot Win
Keeping their trademark dual vocal sound and with the usual variety of material,Â A War You Cannot Win keeps All That Remains up there in the “bands you should check out” list. Heavy, melodic vocals mixed with more deathy stuff, good riffage and some genuinely catchy moments. Top Track for me is probably “Sing For Liberty”.
Shinedown – Amaryllis
Bloody hell, what an album. Not a bad song on it. Pumping rock songs, lilting ballads, great lyrics, catchy tunes – this album has it all. Great vocals, guitars, bass and drums; well produced; superb live act to back it up. This definitely falls into any “album of the year” category I might have. Top Track? I couldn’t pick just one. I just couldn’t.
Die Toten Hosen – Ballast der Republik
A first studio album in four years for the long-standing German punk band, and as bouncy as ever. This offering is all in German so I can’t comment on the lyrical content (they have done some English tracks in the past), but the music’s great. If you’re not nodding your head along to the beat by the time you’re half-way through you’re either dead or stuck in some kind of neck brace. There’s a surprising number of acoustic, or predominantly acoustic, numbers on here as well. Top Track would probably be the title offering, although there are a few that chase it mainly due to the variety of material on offer (“Das ist der Moment” probably closest).
Sabaton – Carolus Rex
Not their strongest release, but perfectly fitting with their existing catalogue. The main theme for this is the life and times of King Charles XII of Sweden, the songs detailing various battles, aftermaths and the downfall of the Swedish empire. I’ve got the English version, but the album is also available in Swedish which I think is a great idea given that it tells their history. Indeed, they played “The Carolean’s Prayer” in Swedish when I saw them in Glasgow earlier this year. Top Track is definitely “1648” although their cover of Status Quo‘s “In The Army Now” is pretty good also.
Testament – Dark Roots of Earth
Another quality release from a long-standing band, this is – in my opinion – their strongest album sinceÂ Souls of Black. A precision blend of classic thrash with heavier vocals, some great lyrical themes and a crushing live performance to support it. Opener “Rise Up” is my Top Track, and also the perfect (if predictable) gig-opener. “True American Hate” is a close runner-up, and their cover of Maiden’s “Powerslave” rounds things off well.
Dethklok – Dethalbum III
A real album from a “virtual” band featured on the cartoon showÂ Metalocalypse. Their third, in fact, and it’s par for the course with the other two. Genuinely good songs, though obviously tongue-in-cheek to those in the know or who have watched the program. This third outing is more like a “real” album with far fewer 1-2 minute tracks. My main complaint, and this has dogged the series as well as the earlier albums, is that the vocals are far too low in the mix. Top Track is “Impeach God”, though there’s not much in the way of stand-out material.
Heart of a Coward – Hope And Hindrance
After seeing them with Heights and Devil Sold His Soul on the Metal Hammer Razor Tour, and being suitably impressed, I grabbed a copy of the hardcore industrialists’ album and gave it a try at slightly lower volume than the Cathouse provided. It’s good. Not brilliant, but good. Angry, a little arhythmic in places, but crushing and unrelenting. Definitely a promising first album and, believe me, they come across well live. Top Track would go to “We Stand As One”.
The Darkness – Hot Cakes
Another swift change in musical direction and on to the third album from that band that never quite made it as big as their record company thought they would. They’ve maintained their sound throughout their time together and it’s good to have them around, though there’s nothing fresh on Hot Cakes. However, if it gets them out on the road touring again then it’s worth picking it up to encourage them. Top Track, for it’s pace, is “Nothin’s Gonna Stop Us”. Great for driving to if you’re not worried about losing your license.
Stone Sour – House of Gold & Bones Part 1
A band who peaked early with the superbÂ Come What(ever) May? Or one who can maintain that quality? WellÂ HoG&Bpt1 indicates that they’re definitely not resting on their laurels. Probably heavier overall than previous records, but Corey does still get to stretch his vocal cords into various shapes covering more balladic sounds however briefly. “Taciturn” is the only really soft track on the album, and it’s no “Through Glass” – maybe it needs to grow on me. Top Track for me is “Absolute Zero”.
Linkin Park – Living Things
A return to their earlier sound – though nowhere near as good -Â Living Things continues to show that Linkin Park are running out of ideas. Despite having a couple of the strongest albums of the time back in the day, I just don’t seem to have enjoyed anything sinceÂ Minutes To Midnight eventually grew on me.Â A Thousand Suns was just dreadful, and althoughÂ Living Things is better, it’s just not managed to grab me likeÂ Hybrid Theory. Top Track is, just, “In My Remains” as it reminds me of the older stuff.
3 Inches of Blood – Long Live Heavy Metal
Let’s be fair, with a title like that you know what to expect. After first seeing them in a dinky venue in Leeds (Cockpit?) with Trivium, I’ve kept an eye on this band and pretty much enjoyed what they’ve churned out. Basically, if you like Warhammer and classic metal, you’ll enjoy them.Â Long Live Heavy Metal isn’t a huge departure, but it’s good. Opener “Metal Woman”, for instance, sounds like classic Judas Priest which can’t be a bad thing. Another Top Track selected purely for its pace, this time “My Sword Will Not Sleep”.
Machine Head – Machine ******* Head Live
Their second live album, this one encompassing three more albums sinceÂ Hellalive some years ago. Great production, great selection of songs. If you saw them touring recently, this is pretty much the set I remember and it’s cracking. It’s maybe not right to pick a Top Track from what’s effectively a greatest hits album but I’ll plump for “Ten Ton Hammer” simply because I love it.
Hayseed Dixie – Nicotine and Alcohol
Swift change of musical direction and some redneck-geared banjo-twirling yee-haw-ing in this release from a band who became famous for their bluegrass covers of metal bands (and for letting me stand on stage at the Glasgow ABC to propose to my then-girlfriend/now-wife). As with most of their releases these days, it’s predominantly original material (plus an excellent cover of Die Toten Hosen’s “Hier Kommt Alex“), and to add a twist a few of the songs are in German. It is slightly less accessible than their covers material, but that doesn’t detract from how enjoyable it is once you give it a couple of listens. The band have a great sense of humour and this seems to be conveyed by the music as well as the lyrical content. Top Track for me is “A Jug of Whiskey (The Drunken Sailor Revisited)” mainly as I can picture this going down aÂ storm live.
Dying Fetus – Reign Supreme
As the band were touring earlier this year and the tickets were cheap, I thought I better check them out. This is the current release and it’s a very accessible piece of death metal. Their older stuff – and they go back quite a few years – is a lot heavier, simpler and gorier.Â Reign Supreme is a more mature effort with excellent production. Top Track: “Second Skin”
Lamb of God – Resolution
A pretty tumultuous year for Lamb of God with the farcical arrest and detainment of front man Randy Blythe in the Czech Republic. This is the album they were/are touring on at the time and it’s pretty representative of their music. Lamb of God aren’t a band I listen to much, but they’re brilliant live so it’s good to know the songs. I’d not say thatÂ Resolution stands out as a brilliant album in its own right, but it’s certainly not bad. Going through it for this blog posts, I am actually finding myself enjoying it so I think it may be getting some more listens over the next few weeks! Top Track would be the sixth on the album: “The Number Six”.
Seed of Sadness – Seed of Sadness EP
OK, not a commercial release but the band went to the trouble of asking me to review it which I did. It’s a free download (via this link), it’s a damn good listen if you like your female fronted melodic metal and I wish them all the best! Top Track of the five is the opener, “Remnant of a Dying Smile”.
Turbonegro – Sexual Harassment
Another album supported with a brilliant live performance from the bunch of nutters responsible for writing it. Don’t expect good taste, and you won’t be disappointed. Expect simple, short, pop/punk numbers and you’ll get what you want. There are so many good tracks for pick from, but to pluck one semi-randomly from the best of the bunch I’ll award Top Track to “Shake Your **** Machine”.
Papa Roach – The Connection
A band which continually gets put down for being “emo” or whatever, I’ve liked them since the beginning. Good material, decent lyrics, always something easy to sing along to on each album and a solid live show each and every time I’ve seen them. Their new release isn’t a highlight in the way that works such asÂ Lovehatetragedy andÂ Getting Away With Murder were, but it’s not bloody bad. “Still Swingin'” is indicative of the sound of the album with a fair bit of keyboards and a nice, shouty chorus (reminiscent of “Kick in the Teeth” from the previous album). A couple of the tracks, mainly the lighter ones, are far more influenced by those keyboards to the point where the introductions start to sound a little bit too much like Linkin Park. However, once they kick in, the slight change in sound is less noticeable and you get songs like my Top Track “Breathe You In”.
Fear Factory – The Industrialist
Yet another release from the premier industrial metal band. While Burton’s vocals certainly aren’t as good live as they once were, he’s managing fine in the recording studio andÂ The IndustrialistÂ is one of the better recent Fear Factory releases. From the atmospheric opening of the title track to the spooky overtones of “Human Augmentation” you have an album that sounds like it was recorded in the factory that makes the T-1000. I don’t think FF have ever released a betterÂ produced album, even if the songs aren’t quite as good as some earlier (classic) material. Top Track: “Recharger”.
DragonForce – The Power Within
This one took a while to grow on me purely as I found the new vocalist’s voice too different from Theart’s. As time went on, and after a quality performance at the ABC, the material did grow on me, and it’s now Â a regular player in the car. After finally realising that it’s not a Slayer cover, Top Track goes to “Die by the Sword”.
Halestorm – The Strange Case Of…
As with their first album, this one was purchased as a gig and signed by the band. Frankly, I don’t think Halestorm can do any wrong at the moment (apart from Lzzy Hale not being prepared to acknowledge my fanboy existence though I think the wife would have issues). With show-stealing support slots and a sell-out headlining show which had to be upgraded to accommodate ticket sales, they’re definitely a band on the up. Given the strength of their material as well as their live show, it’s not surprising andÂ The Strange Case Of… is a great collection of rock songs. Great sound quality, though my other half reckons the slight hoarseness of Lzzy’s vocals comes across better live than on recording which is too “clean”. I think she has a point. Like Shinedown’s Amaryllis which I covered earlier, it’s very difficult to pick out a Top Track from this collection. Bend my arm behind my back and I guess I’d go for “Here’s To Us”, partly as we used it for the music at our wedding when we were signing the register 🙂
Cannibal Corpse – Torture
Possibly the longest-surviving of the gore metal bands and almost certainly the best known, Cannibal Corpse kept on trucking (over splintered bones and squashed internal organs) withÂ Torture. Maintaining the good production values of recent years and the usual horror film lyrical content, this follow-up to 2009’sÂ Evisceration Plague is decent enough but not quite as good as the simply-namedÂ Kill from 2006. Still, decent stuff and if CC are your bag of swollen, fetid guts then it’s likely something you’ll enjoy. Top Track: “Followed Home Then Killed”.
Paradise Lost – Tragic Idol
It’s great to see the lads from Halifax (the real one, not the Canadian knock-off) still plying their gothic metal wares after so long, and their current release shows how they’ve managed to survive. Changing their sound a little with each other album, they’ve stayed faithful to their roots without becoming boring. Tragic Idol is more of the same without simply being more of the same. As good an introduction to their music as it is a continuation for those who’ve been following them all these years.Â Top Track: “To The Darkness”.
Six Feet Under – Undead
In my opinion as good a band as Cannibal Corpse, but with very much their own sound, Six Feet Under continue to go from strength to strength with each release although I do have a soft spot for their covers albums.Â UndeadÂ is, like their older material, slightly more accessible to the non-fan than most of Corpse’s material. I guess it’s all a matter of taste. Still, I liked it and I do keep my eyes out in case they tour sometime! Top Track: “18 Days”.
Rare Breed – Welcome The Strange
Yeah, you’ve probably not heard of this lot. It’s a bunch of lads from Glasgow who I first saw opening for Tigertailz in 2011. It’s always good to see fresh talent coming through and they impressed at that gig. This EP is downloadable for free (via SoundCloud) and well worth a listen. They’ve obviously taken a lot of time and effort over it, and I know they’re still looking for places to play live. Top Track: “The Haunting”.
And that’s yer lot. I know there were probably more releases and I’m aware of some I missed (like Bowling For Soup’s wonderful idea of releasing an album along with the bands they were touring with in October, or Biohazard’s first album in seven years). However, I am only one person with so much time and so many finances!
No denying, though, that it was a hell of a year for bands big and small. Anyone who says rock’n’roll is dead should consider themselves well and truly corrected!
Well, December is almost over and it’s time to dig through the reviews and see what I reckoned was the live musical high-point of the year. And it’s bloody hard, believe me. If you just want to skip down to the bit where I try to make my mind up, scroll down until you see the headline. Otherwise, let me take you on a quick run-down…
First gig was Reel Big Fish at the Garage (and they’re touring again in early 2013). Having never seen them before, I was very pleasantly surprised with an excellent atmosphere and a ton of fun!
Biohazard made a welcome return in February, playing a crushing set at King Tut’s, but the highlight of their gig was touring support Heights. Definitely ones to watch out for.
Less than a week after that and a tremendous two-header hit the Academy with soon-to-be-fecking-huge Halestorm opening for the brilliant Shinedown. Both bands reappeared later in the year, with Shinedown headlining the HMV PicturehouseÂ on Hallowe’en and Halestorm upgrading from the Cathouse to the Garage (which then sold out) due to phenomenal demand.
The first let-down of the year was Theory of a Deadman. Not the band themselves, but the truly awful sound at the Queen Margaret Union building. One I’ll be avoiding in future, though I’ll certainly give the Canadian rockers another chance if they play elsewhere in future.
February drew to a leap-year close with Rammstein at the Newcastle Arena. Not so much a gig as a spectacle, and something that any band would be hard-pushed to beat. They’re headlining Download this year and if you’ve not seen them then they’re worth the ticket price alone.
Another ridiculous (and unannounced) change to the door times meant that I missed the two openers for Cannibal Corpse at the ABC, but did get to see most of Triptycon’s set. Corpse, however, played a drastically shortened set in part due to now knowing they had to be off-stage at 10pm for the student night to take place.
March ended at a blistering pace with three cracking gigs in the space of a week. Black Stone Cherry rocked the Academy, Bowling For Soup (and People on Vacation) had us entertained and laughing along at the Oran Mor with their acoustic tour and Steel Panther taught us all The Shocker at the Academy (a few months after stealing the show from Def Leppard and Motley Crue at the SECC). Hard-working as they are, they were back in Scotland soon after with a show in Edinburgh.
Into April and two very contrasting styles of music in a fairly fallow month for me. First up, an unadulterated party atmosphere lifted the Garage when Andrew W.K. came the play. Barely a week later and Paradise Lost angled more for the doom end of the scale in a wonderfully downbeat performance at King Tut’s.
My only gig in May was to see the delightfully ridiculous Tragedy with their tie-dyed, glitter-encrusted Bee Gees cover extravaganza at the ABC2. Only a few days after the sad passing of Robin Gibb, I doubt he could have been more proud of the send-off this group of fans gave him.
Halfway into the year as June finished and two gigs that month. Sacred Reich with their first Scottish date inÂ eighteen years as they tore up the Wah Wah Hut; and a slight departure for me as I sampled Combichrist at The Arches with their dance-infused metal.
And then… a breather. July and August passed gig-free despite us staying in the country. Virtually every major band was heading to play the festivals which we couldn’t attend due to work and family commitments. On the other hand, we saved some cash.
We made up for it in September with no fewer than five concerts. The Darkness were touring the UK with Lady Gaga (I know, WTF?) but as the tour wasn’t hitting Scotland they opted to play a one-off headlining show with long-standing local favourites Gun at the ABC.
Three gigs in three nights saw me at the Cathouse (Dying Fetus, Job For A Cowboy, Revocation and Cerebral Bore), Edinburgh PlayHouse (W.A.S.P.’s 30th anniversary tour) and the Garage for the aforementioned sell-out Halestorm show.
Another previously mentioned gig ended the month as Dragonforce and Alestorm formed a perfect partnership at the ABC.
October could have been the busiest month of the year gig-wise. We still did very well, but missed no fewer than five gigs. The first one we had to skip was Soulfly as it clashed with Nickelback at the Newcastle Arena and we got tickets to see Chad and co. before those for Max’s project were announced. The Canadian guys were good – very good – but Soulfly would have beenÂ much cheaper and closer to home!
Nickelback became the last gig I went to with my fiancÃ©e as we skipped Bowling For Soup, Trivium, Muse and Terrorvision to jet off to Jamaica with the family and get married! I did try tweeting most of the bands, but they didn’t reply as to the possibility of shifting their gig dates. Pah.
Our first gig as a married couple was a second performance this year by Shinedown in Edinburgh (mentioned back at the top). A big crowd despite playing on the same night and less than 2 minutes walk away from Alice Cooper’s seemingly annual Scottish show.
The second-last month of the year equalled the second as November joined February in hosting six gigs. Sabaton / Eluvetie at the Garage opened the month for me with an interesting combination and more people on one small stage than I’ve seen since Lawnmower Deth allowed stage-diving at the Newcastle Riverside. We then had the choice between Motorhead’s annual gigÂ at the Academy or going to see Steel Panther again, this time in Edinburgh. There was no decision to be made as soon as we saw Lemmy’s support band – the mighty Anthrax. Glasgow it was.
Two nights later I headed to the Cathouse for the Metal Hammer Razor Tour II Â featuring Steak Number 8 (missed them, sorry), Heart of a Coward, Heights (again) and Devil Sold His Soul. I love cheap gigs like this featuring relative unknowns and this was a prime example. All of the bands on here should do well though, again, Heights stole the show for me like they did in February opening for Biohazard.
Turbonegro brought their brand of death-core-punk to King Tut’s Wah Wah Hut towards the end of the month and impressed, while legendary Thrash-meisters Testament made a triumphant return to these shores after far too long. They destroyed the Garage with a mixture of old material and stuff from their superb latest album. Barely pausing to draw breath, I was at the SECC the following night to see the Twins of Evil tour. Marilyn Manson put on a decent enough theatrical performance while Rob Zombie deservedly played the “headlining” position of this equal-footed billing.
The year drew to a close with a hugely anticipated comeback tour from the Little Angels who rocked the ABC as if they’d never been away these last twenty years. Just under a week later and Fear Factory gave me a birthday present consisting of an hour-long set at the same venue in support to the Devin Townsend Project.
SO – GIG OF THE YEAR?
Bloody hell. That’s a tough question. At a rough count, there are 39 bands in contention (including some of the support acts) for the top performance. Hell, there are some I’ve not even mentioned such as Deathstars who opened for Rammstein. Not in contention, but deserving of a mention. As are Lionheart (Biohazard), The Treatment (Steel Panther), Insomnium (Paradise Lost), Skin (Little Angels)…
So let’s just hand out some awards based on certain performances. That’s fair. After all, what small band – no matter how talented – could expect to play a 200-capacity venue and compete with the:
Most Spectacular Gig
Easy winner – Rammstein at the Newcastle Arena. At Â£50 plus fees plus travel expenses, not a cheap ticket but worth every penny as you could see where your cash was going. Superb songs wrapped in probably the best showmanship in metal these days (Iron Maiden at a festival are about the only band that come close) and I doubt a single person that night left the venue feeling ripped off. My only disappointment is that it’s still the only gig I’ve ever been to that I don’t have my ticket as a souvenir. Stupid floor policy of taking your ticket off you!
Best Atmosphere At A Gig
Quite a tricky one as there are different atmospheres. The expectation at the Testament gig after their long absence. Similar with the Little Angels. Reel Big Fish, of course. The boos rained upon Turbonegro as they chose to play an England football song before they came on stage in Glasgow. Tragedy, who could have been playing to thousands, not just the couple of dozen who showed up (shame one you – see them next time). But, no. As with Rammstein above, there’s only one streets-ahead winner of this award: Andrew W.K. at the Glasgow Garage, who put on as big a party as he promises in his Twitter feed day after day – using nothing but the power of short, silly, punchy rock anthems. A man who can talk the talk, walk the walk and rock the rock.
Best Comeback Gig
A surprising number of entrants this year (and many more who I didn’t go to see, sadly). Some just haven’t toured the UK, some have actually been split up for years and reformed recently. In the running, we have:
- Little Angels
- Sacred Reich
Bloody hard to decide with this one. Really hard. My heart says Little Angels because of the fact I saw their last ever gig before they split. My heavier side (and the bruises) say Testament. My “support the underdog” mentality says Sacred Reich. My surprise at having a guitarist standing my shoulder during the first song says Biohazard.
The heart wins.Â Little Angels at the ABC take the prize, partly as I’ve seen Testament and Sacred Reich at Graspop in more recent years.
Best Support Act
Let’s not forget those poor sods who often get ignored (or worse) trying to warm you up for the headliners. This year, there were some great bands – many of them listed at the top of this section. The winner will come as no surprise, but special mentions to Halestorm – headliners in their own right, frankly, but still touring as a support band in 2013 – and Anthrax, who for some reason haven’t done a UK headlining tour in far too long.
Heights for two gigs – Biohazard and the Metal Hammer Razor Tour II. They’re back in Glasgow again in February, if I recall correctly. And main support again. Keep up the hard word guys, and here’s hoping we get ninety minutes from you in the years to come.
Best Sound At Â A Gig
Now this one is a toughie. Some of the venues can be hit and miss with sound (ABC), some are usually crap but somehow pull a blinder once in a while (Academy), some are just awful (Queen Margaret Union, Cathouse) and some have the advantage of being huge (SECC). Winner this year?Â Bowling For Soup (Acoustic) at the Oran Mor for being just right. Maybe it’s easier as the volume doesn’t need to be cranked, but we could hear every note being strummed.
I’ll leave the awards there for this year. Next year will be a little quieter gig-wise Â as I’m changing to a part time job with the equivalent drop in pay. Unless someone wants to sponsor me buy buying tickets or guest-listing me…?
It’s a bit of a surprise when you go to the pinboard in the office to get your ticket for a gig then realise that there areÂ two stuck up there. Annoyingly, Gillian had a shedload of work to do that she couldn’t put by. One quick phone call to a local dinosaur meant that the ticket would not be wasted, however, and Dean and I headed into the city just in time to get parked and join the horrifically long queue outside the Garage.
Fifteen minutes later, we managed to get in (just as they decided to only search people with bags otherwise those at the tail end would have barely caught the encore at the close of the evening) and saw around four minutes of opening band Wisdom. A crying shame as they sounded pretty good, much like (and I credit Mike for this description) Manowar with Bruce Dickinson on vocals. Maybe I’ll catch them again at another gig when I can actually get into a venue in reasonable time.
A short set change later saw an impressive sight for the small-ish Garage stage Â – eight-piece Swiss folk metal bandÂ Eluvetie. All the more impressive given that they only had half the stage to work with as Sabaton‘s kit was already set up behind theirs. Say what you like about folk metal, I’ve all the time in the world for anyone who can play about a dozen instruments and it seems that being multi-talented is aÂ prerequisiteÂ for joining this ensemble.
I may miss some out here, or get names wrong, but do please bear with me. I spotted a hurdy gurdy, violin, two vocalists, bagpipe, flute, recorder, two guitars, bass, drums, piccolo, harp, lute, and two instruments I couldn’t even think of naming including one with a horned skull embedded in it. If there was an obvious problem with this orchestra it was that there was no hope for the poor sound tech to ensure that all the instruments were mixed as well as they would be in a studio, but he did his best.
Not my cup of extinct Gaulish tea, but they got a rousing reception (deservedly do) and will undoubtedly appeal to fans of the likes of Ensiferum. My taste in folk metal leans more heavily towards early Skyclad which is a bit more rock and less death metal.
Sabaton themselves took to the stage at a worryingly late hour as I assumed there would be a 10pm curfew. Thankfully this wasn’t the case as they chose to play theÂ entire of Europe’s “The Final Countdown” as their introduction. Guys, the opening minute would have been perfect! And have given you time for another song! Anyway, that was the only whinge of the evening.
Their first Scottish appearance since they opened for Dragonforce in 2006 has seen them rise from “who?” to venue-fillers and deservedly so. Their performance is energetic, varied, humorous and fast-paced. Their music, with its lyrical grounding in many historical events, panders to the prides of many nations and it was no surprise to see the Polish flags and scarves going mental when “40:1” was pounded out near the start of the set.
Indeed, the band pandered to the home crowd with Saltire-backprinted t-shirts on sale downstairs and Braveheart-esque blue face and body paint well applied. And kilts. Which were worn in the traditional manner as evidenced at the end of their set!
The three new members were introduced to the crowd late in the concert to a lot of well-deserved cheering. For a band to lose four of six members in one go and then continue is pretty impressive and the replacements certainly fit in very well.
They went through a few tracks from the new albumÂ Carolus Rex including one track (“The Carolean’s Prayer”) in Swedish. Joakim thought he would get away with any lyrical mistakes until he spotted a sizeable group of Swedes near the front of the stage… very much an international evening at the Garage! The set-list was not set in stone, with the band twice pausing to give the audience a choice of two or three songs to pick from. I can attest that on both occasions the band went with the title that gained the loudest cheer.
As I’m sure the photos will prove, the band battered their way through the set with big cheesy grins plastered on their faces which mirrored those of the crowd. Joakim is a great front man, quite happy to rattle off a quick story without taking up too much time and without pandering too much to the stereotypical bits of speech used by pretty much every rock band in the world ever.
He also showed himself to be quite the musician as well, taking to the keyboard briefly (playing some Van Halen and Abba). The whole band performed as if they’d been together for years, not just months and they left the crowd, as the manual states they should, begging for more. My only complaint was a lack ofÂ “Screaming Eagles”. Oh, and “The Price of a Mile”. OK, and about four or five others. It’s not my fault their back-catalogue is filled with so many good songs.
An absolutely superb set from a great band who I can’t wait to see again.